Sara Lupita Olivares’s Migratory Sound, winner of the 2020 CantoMundo Poetry Prize, looks back to generational narratives of Mexican American migration, examining linguistic and geographic boundaries as it journeys north along routes of seasonal fieldwork and factory labor. “Whether enacting a bird migration, or the uprooting of people relocating north, or the private movement from sleep to alert vigilance,” series editors Carolina Ebeid and Carmen Giménez Smith observe, “Olivares’s stark poetry concerns the precarious idea of place and its underlying ‘unplace.’ She makes evident how every place bears a relationship with an elsewhere, an over there sometimes situated underneath.”

Migrants bring music from the homeland to the metropolis. But music also migrates via the media: 'world' music, hip hop, bossa nova ... With case studies from across the world this ground-breaking collection shows how migrating music is key to the construction of a still-emerging, global cosmopolitan imagination.

Identify migratory birds with this book, containing detailed text on flight and contact calls, annotated sonograms and QR codes to the calls themselves. Every spring and autumn, millions of birds fly over us to en route to their summer or winter quarters, with these migratory flights occurring both day and night. A profusion of sounds fills the air, making it possible to put a name to these fleeting silhouettes - because the best way to identify these migrants is by their calls. Often neglected in traditional identification guides, these calls are described in this book with precision. Annotated sonograms make it possible to visualise, identify and better memorise the flight and contact calls of British and European migratory species. * Describes 450 species, with detailed text, photographs and sonograms. * Features essential criteria for effective identification of calls in the field. * Covers migratory behaviour and where and when to encounter each species. * Contains QR codes linking to more than 1,000 downloadable sounds to listen to at home or on your smartphone.

Following the format of the journal, the texts, in three parts, testify musical experience in different representations, from elementary school practices to music festivals and resident chamber music, mentioning categories accepted in the Portuguese society, among others, referring to the popular, folk/world and art music.

Walt Whitman's poetry, especially his Civil War poetry, attracted settings by a wide variety of modern composers in both English- and German-speaking countries. The essays in this volume trace the transformation of Whitman's nineteenth-century texts into vehicles for confronting twentieth-century problems-aesthetic, social, and political. The contributors pay careful attention to music and poetry alike in examining how the Whitman settings become exemplary means of dealing with both the tragic and utopian faces of modernism. The book is accompanied by a recording by Joan Heller and Thomas Stumpf of complete Whitman cycles composed by Kurt Weill, George Crumb, and Lawrence Kramer, and the first recording of four Whitman songs composed in the 1920s by Marc Blitzstein.