LONGLISTED FOR THE BAILEYS PRIZE FOR FICTION 2017 'Finely judged writing like this comes from a place of instinct, and it marks Melrose out as someone to watch . . . Midwinter is a great success' Melissa Harrison, Guardian Father and Son, Landyn and Vale Midwinter, are Suffolk farmers, living together on land their family has worked for generations. But they are haunted there by a past they have long refused to confront: the death of Cecelia, beloved wife and mother, when Vale was just a child. Both men have carried her loss, unspoken. Until now. With the onset of a mauling winter, something between them snaps. While Vale makes increasingly desperate decisions, Landyn retreats, finding solace in the land, his animals - and a vixen who haunts the farm and seems to bring with her both comfort and protection. Tender and lyrical, alive to language and nature, Midwinter is a novel about guilt, blame, lost opportunities and, ultimately, it is a story about love and the lengths we will go to find our way home. Longlisted for the New Angle Prize 2017 'Melrose elegantly weaves narratives detailing the men's internal tumult with lush descriptions of their natural surroundings . . . A moving story about the cruelty of chance, modern masculinity and the transformative power of the bonds between men' Financial Times 'I have rarely read a narrative voice as distinctive as Landyn's, and the loving depiction of regional English working-class masculinity is unusual and timely . . . This is certainly not a light-hearted book, but it offers the true consolation of some very good writing' Sarah Moss, TLS 'A penetrating study of grief and guilt' Daily Mail

It's a cold, snowy December in the upstate New York town of Millers Kill, and newly ordained Clare Fergusson is on thin ice as the first female priest of its small Episcopal church. The ancient regime running the parish covertly demands that she prove herself as a leader. However, her blunt manner, honed by years as an army pilot, is meeting with a chilly reception from some members of her congregation and Chief of Police Russ Van Alystyne, in particular, doesn't know what to make of her, or how to address "a lady priest" for that matter. The last thing she needs is trouble, but that is exactly what she finds. When a newborn baby is abandoned on the church stairs and a young mother is brutally murdered, Clare has to pick her way through the secrets and silence that shadow that town like the ever-present Adirondack mountains. As the days dwindle down and the attraction between the avowed priest and the married police chief grows, Clare will need all her faith, tenacity, and courage to stand fast against a killer's icy heart. In the Bleak Midwinter is one of the most outstanding Malice Domestic winners the contest has seen. The compelling atmosphere-the kind of very cold and snowy winter that is typical of upstate New York-will make you reach for another sweater. The characters are fully and believably drawn and you will feel like they are your old friends and find yourself rooting for them every step of the way.

Perhaps Bernadette Mayer's greatest work, Midwinter Day was written on December 22, 1978, at 100 Main Street, in Lenox, Massachusetts. "Midwinter Day", as Alice Notley notes, "is an epic poem about a daily routine". In six parts, Midwinter Day takes us from awakening and emerging from dreams through the whole day -- morning, afternoon, evening, night -- to dreams again: "a plain introduction to modes of love and reason, / Then to end I guess with love, a method to this winter season / Now I've said this love it's all I can remember / Of Midwinter Day the twenty-second of December".

Winter comes to the land only once in a hundred years. But the snow covers ancient secrets: secrets that could topple a kingdom. Mauritaine was a war hero, a captain in the Seelie Army. Then he was accused of treason and sentenced to life without parole at Crere Sulace, a dark and ancient prison in the mountains, far from the City Emerald. But now the Seelie Queen – Regina Titania herself – has offered him one last chance to redeem himself, an opportunity to regain his freedom and his honor. Unfortunately, it's a suicide mission, which is why only Mauritaine and the few prisoners he trusts enough to accompany him, would even dare attempt it: Raieve, beautiful and harsh, an emissary from a foreign land caught in the wrong place at the wrong time; Perrin Alt, Lord Silverdun, a nobleman imprisoned as a result of political intrigues so Byzantine that not even he understands them; and Brian Satterly, a human physicist, apprehended searching for the human victims of the faery changeling trade. Meanwhile, dark forces are at work at home and abroad. In the Seelie kingdom, the reluctant soldier Purane-Es burns with hatred for Mauritaine, and plots to steal the one thing that remains to him: his wife. Across the border, the black artist Hy Pezho courts the whim of Mab, offering a deadly weapon that could allow the Unseelie in their flying cities to crush Titania and her army once and for all. With time running out, Mauritaine and his companions must cross the deadly Contested Lands filled with dire magical fallout from wars past. They will confront mounted patrols, brigands, and a traitor in their midst. And before they reach their destination, as the Unseelie Armies led by Queen Mab approach the border, Mauritaine must decide between his own freedom and the fate of the very land that has forsaken him.

As an early winter slices through the old city of Hereford, a body is found in the River Wye, an ancient church is descrated, and there are even indications of evil in Hereford Cathedral itself, where the tomb of St. Thomas Cantilupe lies in fragments.

On December 22, 2018, the 40th anniversary of Bernadette Mayer's writing of Midwinter Day, 32 women poets typed into Google Docs titled Dreams, Morning, Noontime, Afternoon, Evening, and Night. Following the six-part structure of Mayer's book, they composed alongside each other all day, dozens of cursors blinking in a virtual happening. MIDWINTER CONSTELLATION is the result. Part patchwork quilt, part collective consciousness, the book hopes "to prove the day like the dream has everything in it," as Mayer wrote in 1978, and to extend her vision into a global 21st-century everyday. A radical experiment in collective writing, the book embroiders, echoes, and blurs the voices of poets across the U.S. and beyond. They wake up in bed together and spend the day writing while nursing babies, grading papers, driving home for the holidays, making meals, and gathering in bookstores and living rooms to read Midwinter Day aloud. While threads of identity can be traced through the repeated names of children, highways, books, and pets, MIDWINTER CONSTELLATION declines to identify who's speaking when, exceeding the territory of authorship and rejecting the illusion that we are separate. MIDWINTER CONSTELLATION was written by Stephanie Anderson, Hanna Andrews, Julia Bloch, Susan Briante, Lee Ann Brown, Laynie Browne, Shanna Compton, Mel Coyle, Marisa Crawford, Vanessa Jimenez Gabb, Arielle Greenberg, Jenny Gropp, Stefania Heim, MC Hyland, erica kaufman, Becca Klaver, Caolan Madden, Pattie McCarthy, Monica McClure, Jenn Marie Nunes, Danielle Pafunda, Maryam Ivette Parhizkar, Khadijah Queen, Linda Russo, Katie Jean Shinkle, Evie Shockley, Sara Jane Stoner, Dawn Sueoka, Bronwen Tate, Catherine Wagner, Elisabeth Workman, and Mia You. Poetry. Women's Studies.

A Guardian / Sunday Times / Irish Times / Herald Scotland / Mail on Sunday Book of the Year Winner of the Bord Gáis Novel of the Year ‘Midwinter Break is a work of extraordinary emotional precision and sympathy, about coming to terms – to an honest reckoning – with love and the loss of love, with memory and pain...this is a novel of great ambition by an artist at the height of his powers’ Colm Tóibín A retired couple, Gerry and Stella Gilmore, fly to Amsterdam for a midwinter break. A holiday to refresh the senses, to see the sights and to generally take stock of what remains of their lives. But amongst the wintry streets and icy canals we see their relationship fracturing beneath the surface. And when memories re-emerge of a troubled time in their native Ireland things begin to fall apart. As their midwinter break comes to an end, we understand how far apart they are – and can only watch as they struggle to save themselves.