At times funny, poignant, and heartbreaking, Midlife Irish draws on the universal themes of love, loss, and laughter that have kept the Irish both miserable and happy--often at the same time--throughout the years. If Bill Bryson set off for Ireland to discover his roots, then you'd have Midlife Irish--an illuminating, entertaining, and heartwarming look at one man's search for where--and who--he came from. Irish-American. What does this vague term really mean? Millions of people describe themselves as Irish-American, but beyond celebrating St. Patrick's Day with a drunken zeal, how many of them know really anything about their cultural ancestry? It is this curiosity that got the better of Frank Gannon--the son of a couple of straight-off-the-boat Irish immigrants. His mother and father, who never spoke about life on the Emerald Isle, raised him in New Jersey, thousands of miles from Ireland. But after both his parents passed away, he realized he knew nothing about whom they really were and where they came from--and in effect, where he came from. Now at the half-way point in his life, Gannon decided to fill in the blanks. He embarked on a journey to Planet Green and slowly pieced together the lives of his parents. Before long, he discovered much about his mother and father, and just as much about himself. This story of one man's search for his cultural identity will have phones ringing off the hook at the Irish Board of Tourism, as readers will want to take off

What does it mean to be of Irish descent? What does Irish descent stand for in Ireland? In Northern Ireland? In the United States? How are the categories of “native” and “settler” and accounts of ethnic origin being refigured through popular genealogy and population genetics? Of Irish Descent addresses these questions by exploring the contemporary significance of ideas about ancestral roots, origins, and connections. Moving from the intimacy of family stories and reunions to disputed state policies on noble titles and new applications of genetic research, Nash traces the place of ancestry in interconnected geographies of identity—familial, ethnic, national, and diasporic. Underlying these different practices and narratives are potent and profoundly political questions about who counts as Irish and to whom Ireland belongs. Examining tensions between ideas of plurality and commonality, difference and connection that run through the culture and science of ancestral origins, Of Irish Descent is an original and timely exploration of new configurations of nation and diaspora as communities of shared descent.

LGBT older adults experience issues and challenges that are unique, including institutional heteronormativity, heterosexism in organizations, and homophobia among caregivers and social service providers. This book presents a diverse group of scholars, activists, social service providers, and researchers from around the globe examining current research, practices, and policies on aging among LGBT individuals. This revealing source lays out the significant challenges faced not only by this aging sexual minority population, but also for their social service providers—and those who train them. The chapters explore the Greater London area Polari Project, the adjustments made in the long-running HIV support group at St. Paul’s Hospital in Vancouver, and the Liberation Psychology workshops in Ireland for lesbian and transgendered persons. This volume can serve as an excellent teacher resource for engaging undergraduate and graduate students in various professions who will be working with older LGBT adults. This text is extensively referenced and includes tables to clearly present research. This book is a valuable source for program administrators and supervisors, human behavior researchers, psychologists and psychotherapists, social planners and policy specialists, community developers and organizers, case managers, direct service practitioners involved with LGBT communities, educators, and students. This book was published as a special issue of the Journal of Gay & Lesbian Social Services.

This book engages with ageing masculinities in Irish literature and visual culture, including fiction, drama, poetry, painting, and documentary. Exploring the shifting representations of older men from the early twentieth century to the present, the contributors analyse how a broad range of literary and visual texts construct, reinscribe, or challenge perceptions of older age. In doing so, they trace a shift from depictions of authority figures - often symbolising patriarchal dominance and oppression - to more nuanced, complex, and heterogeneous explorations of older men’s embodied subjectivities and vulnerabilities. Exploring artists and writers such as Seán Keating, J.M. Synge, Teresa Deevy, Marina Carr, Seamus Heaney, Paul Muldoon, Derek Mahon, Kate O’Brien, John Banville, Colm Tóibín, Bernard MacLaverty, Mike McCormack, Anne Griffin, and Claire Keegan, the chapters in this book attend to the symbolic as well as social significance of older men in Irish cultural expression.

The New Irish Studies demonstrates how diverse critical approaches enable a richer understanding of contemporary Irish writing and culture. The early decades of the twenty-first century in Ireland and Northern Ireland have seen an astonishing rate of change, one that reflects the common understanding of the contemporary as a moment of acceleration and flux. This collection tracks how Irish writers have represented the peace and reconciliation process in Northern Ireland, the consequences of the Celtic Tiger economic boom in the Republic, the waning influence of Catholicism, the increased authority of diverse voices, and an altered relationship with Europe. The essays acknowledge the distinctiveness of contemporary Irish literature, reflecting a sense that the local can shed light on the global, even as they reach beyond the limited tropes that have long identified Irish literature. The collection suggests routes forward for Irish Studies, and unsettles presumptions about what constitutes an Irish classic.

This book focuses on Ireland’s lived experience of tuberculosis as represented in the nation’s fiction; not surprisingly, the disease both manifests and conceals itself with devastating frequency in literature as it did in life. It seeks to place the history of tuberculosis in Ireland, from 1800 until after its virtual eradication in the mid-Twentieth Century, in conversation with fictional representations or repressions of a condition so fearsome that until very recently it was usually referred to by code words and euphemisms rather than by its name.

This book contributes to the discussion of why women's human rights warrants increased focus in the context of globalization. Further, it also illustrates how psychology can provide the links between transnational feminism and the discourse on women's human rights by drawing on activist scholarship and empirical findings based on grassroots resistance.