Middle Eastern Music for Hammered Dulcimer goes beyond the stereotypes of genies and Aladdin's lamp to illuminate the entire treasure trove of Middle Eastern music. the collection brings you the full bounty of the region: over 35 classical compositions, well-known folk tunes, and modern popular compositions by 'Abd al-Wahab, the Rahbani brothers, and other stars of the Arab world.In addition to the tunes, the book gives substantial information on traditional performance practices, common musical forms, and the unique qualities that define Middle Eastern music. Rhythmic patterns, semitones, modes, accompaniment, and improvisation in a Middle Eastern style are discussed in detail. There are numerous diagrams that explain Middle Eastern modes, and how to bring them to life on your Western dulcimer. Appropriate for players at any level.

Standard notation and a simple alpha-numerical tablature system are used to present this unusual collection of pre-18th Century tunes for the standard 12/11-course hammered dulcimer. Creating a hybrid of folk and classical elements, Carol Koenig has expanded the repertoire of the hammered dulcimer with melodies from France, Spain, England, and Scotland. The tunes are first presented in a simple melodic statement, then in a more complex harmonized version. The author insists that it is not necessary to be an outstanding sight reader to make beautiful music on the hammered dulcimer, or with this book.

The title says it all: "Dirt Simple." This book and accompanying online audio are designed for a rank beginner who knows nothing about the hammered dulcimer, providing them the tools to make music right away. Starting with the fundamentals of how to hold hammers and tune the instrument, it delves deeper into mastery with posture, stand height/angle, and replacing strings to set up the beginner for a lifetime of good habits. Every concept introduced is simultaneously presented with illustrations and songs that demonstrate and reinforce. Whether the student reads music or plays by ear, the result is the same - music making right from the beginning! Dr. Mark Alan Wade is an experienced teacher with an undergraduate degree in music education and years of public school teaching experience. Now teaching music theory and dulcimer at Denison University, Dr. Wade offers a unique perspective on teaching hammered dulcimer and has three students who have also won the National Hammered Dulcimer Contest as evidence of his master teaching. It's all about the music! Dirt Simple Hammered Dulcimer is written so that the carefully selected tunes are the true teacher. Hands-on learning is made easy with the accompanying audio. Each song is played slowly for students to learn by ear in addition to reading notation. This also allows for the students to hear style traits such as swing, that aren't easily conveyed in written notation. With 29 songs, this book and online audio available for download are a year's worth of private lessons in one concise package!

Killer Technique: Hammered Dulcimer is a book that uniquely focuses on improving the everyday elements of dulcimer playing. Some mundane fundamentals of technique may seem mindless and appear to need no attention. In reality though, even the most basic essentials of dulcimer playing can hold us back without careful examination and precision. This book does just that! The author, himself a National Hammered Dulcimer Champion and music professor, draws on over twenty years of experience in playing and teaching to share his recipe for success. The material focuses on dulcimer-specific skills and drills them in effective and engaging new ways. Targeted areas include dexterity, aim, flow, commonly used percussion rudiments, chords, arpeggios, and chord suffixes. Each exercise is carefully designed to isolate the targeted skill, provide instruction for its most efficient execution, and help you acquire new and improved muscle memory in the least amount of repetitions. Admittedly, working on technique can seem like a chore. This book takes the work out of it and presents the exercises in fresh new ways so you get the most out of them in the least amount of time. Dr. Wade's biggest technique secret revealed in this book is his use of varying rhythms to re-engage the brain and to acquire new and lasting muscle memory. The exercises are not only fun to master but also incredibly effective! It's all about efficiency–not just going through the motions!

First published in 1994 in one volume. An A-Z of the music, musicians and discs. 2006 edition available as an e-book.

Humans have always made music and this authoritative and lavishly illustrated guide is your companion to its fascinating history across the globe. Music - that mysterious alchemy of harmonies, lyrics, and rhythm - is a constant in our lives. Discover how music has evolved with human society, accompanying our leisure, religious rituals, and popular festivities. Watch its development during prehistory and before musical notation, when melodies were memorized or improvised. Enjoy galleries of historical instruments such as dulcimers, shawms, psalteries, and tabor pipes. The universal language of music is expressed in an astonishing number of styles today, and Music presents its evolution around the globe, including the classical European tradition of JS Bach, the passionate sounds of Spain's flamenco, and the sonic power of electronica and heavy rock. With spectacular timelines of key events and profiles of musicians from Amadeus Mozart to David Bowie, Music is an unrivaled and comprehensive reference. Whether you are into the Blues, Brahms, or Bhangra, it is essential reading and guaranteed to hit the right note.

Performing Ethnomusicology is the first book to deal exclusively with creating, teaching, and contextualizing academic world music performing ensembles. Considering the formidable theoretical, ethical, and practical issues that confront ethnomusicologists who direct such ensembles, the sixteen essays in this volume discuss problems of public performance and the pragmatics of pedagogy and learning processes. Their perspectives, drawing upon expertise in Caribbean steelband, Indian, Balinese, Javanese, Philippine, Mexican, Central and West African, Japanese, Chinese, Middle Eastern, and Jewish klezmer ensembles, provide a uniquely informed and many-faceted view of this complicated and rapidly changing landscape. The authors examine the creative and pedagogical negotiations involved in intergenerational and intercultural transmission and explore topics such as reflexivity, representation, hegemony, and aesthetically determined interaction. Performing Ethnomusicology affords sophisticated insights into the structuring of ethnomusicologists' careers and methodologies. This book offers an unprecedented rich history and contemporary examination of academic world music performance in the West, especially in the United States. "Performing Ethnomusicology is an important book not only within the field of ethnomusicology itself, but for scholars in all disciplines engaged in aspects of performance—historical musicology, anthropology, folklore, and cultural studies. The individual articles offer a provocative and disparate array of threads and themes, which Solís skillfully weaves together in his introductory essay. A book of great importance and long overdue."—R. Anderson Sutton, author of Calling Back the Spirit Contributors: Gage Averill, Kelly Gross, David Harnish, Mantle Hood, David W. Hughes, Michelle Kisliuk, David Locke, Scott Marcus, Hankus Netsky, Ali Jihad Racy, Anne K. Rasmussen, Ted Solís, Hardja Susilo, Sumarsam, Ricardo D. Trimillos, Roger Vetter, J. Lawrence Witzleben