This edited book explores the development and reconfiguration of Middle Eastern diasporic communities in the West in the context of increased political turmoil, civil war, new authoritarianism, and severe constraints on media in the Middle East. Taking an interdisciplinary approach, incorporating political and intercultural communication, the contributors investigate the rationale for diasporic politics, as well as the role of the transnational media in shaping diasporic political mobilization. This analysis of the media, situated within specific case studies, encompassing Afghani, Armenian, Bahraini, Egyptian, Lebanese, Syrian, Tunisian, and Turkish diasporic communities, reveals the variegated ways it influences diasporic politics and facilitates political action, as well as its influence on democratic actors residing in the Middle East. These new insights into Middle Eastern diasporas, political communication, and political mobilization are based on developments in the Middle East since 2011, and ultimately highlight how diaspora groups in the West relate to the situation in the Middle East, particularly in their countries of origin. The book is important reading for students and researchers working in political/intercultural communication and diasporic politics, as well as those with a general interest in the Middle East.

Arab American Aesthetics enlists a wide range of voices to explore, if not tentatively define, what could constitute Arab American aesthetics in literature, material culture, film, and theatre. This book seeks to unsettle current conversations within Arab American Studies that neglect aesthetics as a set of choices and constraints. Rather than divorce aesthetics from politics, the book sutures the two more closely together by challenging the causal relationship so often attributed to them. The conversations include formal choices, but also extend to the broad idea of what makes a work distinctly Arab American. That is, what about its beauty, ugliness, sublimity, or humor is explicitly tied to it as part of a tradition of Arab American arts? The book opens up the ways that we discuss Arab American literary and fine arts, so that we understand how Arab American identity and experience begets Arab American artistic enterprise. Split into three sections, the first offers a set of theoretical propositions for understanding aesthetics that traverse Arab American cultural production. The second section focuses on material culture as a way to think through the creation of objects as an aesthetic enterprise. The final section looks at narratives in theatre and how the impact of such a medium has the potential to recreate in both senses of the word: play and invention. By shifting the conversation from identity politics to the relationship between politics and aesthetics, this book provides an important contribution to Arab American studies. It will also appeal to students and scholars of ethnic studies, museum studies, and cultural studies.

Approaching the Middle East through the lens of Diaspora Studies, the 11 detailed case studies in this volume explore the experiences of different diasporic groups in and of the region, and look at the changing conceptions and practice of diaspora in the

The development of new and social networking sites, as well as the growth of transnational Arab television, has triggered a debate about the rise in transnational political and religious identification, as individuals and groups negotiate this new triad of media, religion and culture. This book examines the implications of new media on the rise of political Islam and on Islamic religious identity in the Arab Middle East and North Africa, as well as among Muslim Arab Diasporas. Undoubtedly, the process of globalization, especially in the field of media and ICTs, challenges the cultural and religious systems, particularly in terms of identity formation. Across the world, Arab Muslims have embraced new media not only as a source of information but also as a source of guidance and fatwas, thereby transforming Muslim practices and rituals. This volume brings together chapters from a range of specialists working in the field, presenting a variety of case studies on new media, identity formation and political Islam in Muslim communities both within and beyond the MENA region. Offering new insight into the influence of media exposure on national, political, and cultural boundaries of the Islamic identity, this book is a valuable resource for students and scholars of Middle Eastern politics, specifically political Islam and political communication.

The explosion of digital information and communication technologies has influenced almost every aspect of contemporary life. Diasporas in the New Media Age is the first book-length examination of the social use of these technologies by emigrants and diasporas around the world. The eighteen original essays in the book explore the personal, familial, and social impact of modern communication technology on populations of European, Asian, African, Caribbean, Middle Eastern, and Latin American emigrants. It also looks at the role and transformation of such concepts as identity, nation, culture, and community in the era of information technology and economic globalization. The contributors, who represent a number of disciplines and national origins, also take a range of approaches—empirical, theoretical, and rhetorical—and combine case studies with thoughtful analysis. Diasporas in the New Media Age is both a discussion of the use of communication technologies by various emigrant groups and an engaging account of the immigrant experience in the contemporary world. It offers important insights into the ways that dispersed populations are using digital media to maintain ties with their families and homeland, and to create new communities that preserve their culture and reinforce their sense of identity. In addition, the book is a significant contribution to our understanding of the impact of technology on society in general.

Building on a growing body of literature, this Handbook provides an up-to-date and authoritative survey of Arab cinema. The collection includes contributions from academics and filmmakers from across the Arab region, Europe, and North America, and fills a gap in media studies by examining the entire Arab region, rather than focusing on one country or theme. The Handbook also sheds light on the heterogeneity of Arab filmmaking not only within the Arab region, but also globally, within diasporic communities. It is split into six parts: Part 1 provides an overview of each sub-region in the Arab world, including a chapter on Arab animation films. Parts 2, 3, and 4 address topical themes, encompassing the representation of gender, religion, and identity politics in Arab cinema. Part 5 discusses the theme of diaspora and Part 6 concludes the volume with reflective essays penned by selected diasporic filmmakers. This book is an essential reference for Arab media and cinema scholars, students, and professional filmmakers. With case studies from across the Arab region, it's also a valuable resource for anyone interested in film and media, global cinema, and the Middle East generally.

Bringing together different strands of research on Middle Eastern diasporas, the Routledge Handbook on Middle Eastern Diasporas sheds light on diverse approaches to investigating diaspora groups in different national contexts. Asking how diasporans forge connections and means of belonging, the analyses provided turn the reader’s gaze to the multiple forms of belonging to both peoples and places. Rather than seeing diasporans as marginalised groups of people longing to return to a homeland, analyses in this volume demonstrate that Middle East diasporans, like other diasporas and citizens alike, are people who respond to major social change and transformations. Those we count as Middle Eastern diasporans, both in the region and beyond, contribute to transnational social spaces, and new forms of cultural expressions. Chapters included cover how diasporas have been formed, the ways that diasporans make and remake homes, the expressive terrains where diasporas are contested, how class, livelihoods and mobility inflect diasporic practices, the emergence of diasporic sensibilities and, finally, scholarship that draws our attention to the plurilocality of Middle Eastern diasporas. Offering a rich compilation of case studies, this book will appeal to students of Middle Eastern Studies, International Relations, and Sociology, as well as being of interest to policymakers, government departments, and NGOs.