"Originally published in Walt Disney's comics and stories issues #721-732."

Two elephants come to the aid of Mickey and Donald when an evil man cuts down their laughing tickle grass.

Throughout its long and colorful history, Walt Disney Studios has produced scores of films designed to educate moviegoers as well as entertain them. These productions range from the True-Life Adventures nature documentaries and such depictions of cutting-edge technology as Man in Space and Our Friend the Atom, to wartime propaganda shorts (Education for Death), public-health films (VD Attack Plan) and coverage of exotic cultures (The Ama Girls, Blue Men of Morocco). Even Disney's dramatic recreations of historical events (Ten Who Dared, Invincible) have had their share of educational value. Each of the essays in this volume focuses on a different type of Disney "edutainment" film. Together they provide the first comprehensive look at Walt Disney's ongoing mission to inform and enlighten his worldwide audience.

In this collection of comics starring Disney characters, Goofy and Mickey conclude the Ice Sword saga, and Donald Duck guest stars.

Mickey’s surprise for the Clubhouse is a trip to the farm! But where are all the animals? To keep the bugs away from his prize petunias, Farmer Pete has been using his powerful windmill, but it blew all the farm animals away! The gang heads off to find them in this exciting adventure.

Petrocinema presents a collection of essays concerning the close relationship between the oil industry and modern media-especially film. Since the early 1920s, oil extracting companies such as Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have been producing and circulating moving images for various purposes including research and training, safety, process observation, or promotion. Such industrial and sponsored films include documentaries, educationals, and commercials that formed part of a larger cultural project to transform the image of oil exploitation, creating media interfaces that would allow corporations to coordinate their goals with broader cultural and societal concerns. Falling outside of the domain of conventional cinema, such films firmly belong to an emerging canon of sponsored and educational film and media that has developed over the past decade. Contributing to this burgeoning field of sponsored and educational film scholarship, chapters in this book bear on the intersecting cultural histories of oil extraction and media history by looking closely at moving image imaginaries of the oil industry, from the earliest origins or “spills” in the 20th century to today's post industrial “petromelancholia.”

This book constitutes the refereed proceedings of the 13th International Conference on Software Engineering and Formal Methods, SEFM 2015, held in York, UK, in September 2015. The 17 full papers presented together with 2 invited and 6 short papers were carefully reviewed and selected from 96 submissions. The topics of interest included the following aspects of software engineering and formal methods: program verification, testing, certification, formal specification and proof, testing and model checking, planning, modelling, and model transformation.