México Beyond 1968 examines the revolutionary organizing and state repression that characterized Mexico during the 1960s and 1970s. The massacre of students in Mexico City in October 1968 is often considered the defining moment of this period. The authors in this volume challenge the centrality of that moment by looking at the broader story of struggle and repression across Mexico during this time. México Beyond 1968 complicates traditional narratives of youth radicalism and places urban and rural rebellions within the political context of the nation’s Dirty Wars during this period. The book illustrates how expressions of resistance developed from the ground up in different regions of Mexico, including Chihuahua, Guerrero, Jalisco, Mexico City, Puebla, and Nuevo León. Movements in these regions took on a variety of forms, including militant strikes, land invasions, cross-country marches, independent forums, popular organizing, and urban and rural guerrilla uprisings. México Beyond 1968 brings together leading scholars of Mexican studies today. They share their original research from Mexican archives partially opened after 2000 and now closed again to scholars, and they offer analysis of this rich primary source material, including interviews, political manifestos, newspapers, and human rights reports. By centering on movements throughout Mexico, México Beyond 1968 underscores the deep-rooted histories of inequality and the frustrations with a regime that monopolized power for decades. It challenges the conception of the Mexican state as “exceptional” and underscores and refocuses the centrality of the 1968 student movement. It brings to light the documents and voices of those who fought repression with revolution and asks us to rethink Mexico’s place in tumultuous times. Contributors: Alexander Aviña Adela Cedillo A. S. Dillingham Luis Herrán Avila Fernando Herrera Calderón Gladys I. McCormick Enrique C. Ochoa Verónica Oikión Solano Tanalís Padilla Wil G. Pansters Jaime M. Pensado Gema Santamaría Michael Soldatenko Carla Irina Villanueva Eric Zolov

On October 2, 1968, up to 700 students were killed by government authorities while protesting in Mexico City - many of them women. This analysis of the role of women in the protest movement shows how the events of 1968 shaped modern Mexican society.

CHAPTER FOUR: Carlos Salinas and Mexico's New Era of Solidarity and Concertación -- SNAPSHOT FIVE: ¡Ya basta! -- CHAPTER FIVE: Land, Liberty, and the Mestizo Nation -- SNAPSHOT SIX: Mexico 2010: Let's Celebrate -- CHAPTER SIX: A New Revolution? -- CONCLUSION -- NOTES -- BIBLIOGRAPHY -- INDEX -- Back Cover

In 1968, Mexico prepared to host the Olympic games amid growing civil unrest. The spectacular sports facilities and urban redevelopment projects built by the government in Mexico City mirrored the country’s rapid but uneven modernization. In the same year, a street-savvy democratization movement led by students emerged in the city. Throughout the summer, the ‘68 Movement staged protests underscoring a widespread sense of political disenfranchisement. Just ten days before the Olympics began, nearly three hundred student protestors were massacred by the military in a plaza at the core of a new public housing complex. In spite of institutional denial and censorship, the 1968 massacre remains a touchstone in contemporary Mexican culture thanks to the public memory work of survivors and Mexico’s leftist intelligentsia. In this highly original study of the afterlives of the ’68 Movement, George F. Flaherty explores how urban spaces—material but also literary, photographic, and cinematic—became an archive of 1968, providing a framework for de facto modes of justice for years to come.

This collection of essays presents a key idea or event in the making of modern Mexico through the lenses of art and history--Provided by publisher.

In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state’s dual repression—both the massacre’s crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of “massacre” and “sacrifice” inform contemporary perceptions of the state’s blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory.

Global 1968 is a unique study of the similarities and differences in the 1968 cultural revolutions in Europe and Latin America. The late 1960s was a time of revolutionary ferment throughout the world. Yet so much was in flux during these years that it is often difficult to make sense of the period. In this volume, distinguished historians, filmmakers, musicologists, literary scholars, and novelists address this challenge by exploring a specific issue—the extent to which the period that we associate with the year 1968 constituted a cultural revolution. They approach this topic by comparing the different manifestations of this transformational era in Europe and Latin America. The contributors show in vivid detail how new social mores, innovative forms of artistic expression, and cultural, religious, and political resistance were debated and tested on both sides of the Atlantic. In some cases, the desire to confront traditional beliefs and conventions had been percolating under the surface for years. Yet they also find that the impulse to overturn the status quo was fueled by the interplay of a host of factors that converged at the end of the 1960s and accelerated the transition from one generation to the next. These factors included new thinking about education and work, dramatic changes in the self-presentation of the Roman Catholic Church, government repression in both the Soviet Bloc and Latin America, and universal disillusionment with the United States. The contributors demonstrate that the short- and long-term effects of the cultural revolution of 1968 varied from country to country, but the period’s defining legacy was a lasting shift in values, beliefs, lifestyles, and artistic sensibilities. Contributors: A. James McAdams, Volker Schlöndorff, Massimo De Giuseppe, Eric Drott, Eric Zolov, William Collins Donahue, Valeria Manzano, Timothy W. Ryback, Vania Markarian, Belinda Davis, J. Patrice McSherry, Michael Seidman, Willem Melching, Jaime M. Pensado, Patrick Barr-Melej, Carmen-Helena Téllez, Alonso Cueto, and Ignacio Walker.