Three decades after its foundation the National Photo Library is published the first large catalog of its collection. The volumeprovides an overview of the art of photography in Mexico and showcases one of the most important Latin American collections,irreplaceable testimony of more than 130 years of social history, political, cultural, artistic, scientific and economic life. Includes brief descriptions and large samples of funds Fototecamost interesting: the Mexican past and their indigenous heritage,the pioneer photographers of the nineteenth century, theCasasola collection, the photographs of Guillermo Kahlo's colonial architecture, records of Modotti, Brehme, Lopez andmany more. This book, bound in cloth and with the title stampedin gold letters, is a useful compendium to several researchers, as well as an endless source of delight for lovers of photography.

"Now this publication is available in English as Mexican Suite. Olivier Debroise and Stella de Sa Rego have revised this edition to include more current material and explanatory notes for an audience less familiar with Mexican history. They have also eliminated some of the general history of photography and added more of the early history of photography in Mexico, as well as many new, previously unpublished images. The book is organized both chronologically and thematically, which allows viewer/readers to follow the evolution of major photographic genres and styles. Debroise also examines the role of photography in the development of modern Mexico and the influence of prominent foreign photographers such as Edward Weston, Tina Modotti, and Henri Cartier-Bresson.

A general text on Mexican history, combining political, economic, and historical information.

Hugo Brehme created an idyllic vision of Mexico that influenced photography, film, and literature for a hundred years. His beautifully composed, timeless images of lo mexicano—cacti and pyramids, Indian children and marketplaces, colonial buildings and snow-capped volcanoes and peaks—were widely distributed and acclaimed both in Mexico and internationally. Noted critic Olivier Debroise characterized Brehme as "both the first modern photographer of Mexico and the last representative of its old guard and of a certain nineteenth-century vision." Working in Mexico from 1905 until his death in 1954, he was an early mentor to Mexico's most famous photographer, Manuel álvarez Bravo, and a significant influence on Golden Age filmmakers Gabriel Figueroa and Emilio "El Indio" Fernández. Brehme-esque imagery even appears in the work of American filmmaker John Ford and Russian filmmaker Sergei Eisenstein. Timeless Mexico presents an outstanding selection of Hugo Brehme's photographs, ranging from imagery of the Mexican Revolution to scenic landscapes, colonial architecture, and the everyday life of indigenous peoples. Susan Toomey Frost, who has collected Brehme's photography for many years, provides an illuminating introduction to his life and work. She also describes his practice of printing and distributing his photographs as collectible postcards—a practice that, together with publication in countless books, magazines, and tourist brochures, gave Brehme's work the wide circulation that made his images of Mexico iconic. Art historian Stella de Sá Rego authoritatively discusses Brehme's place in the history of Mexican photography, especially within Pictorialism, as she reveals how a man from Eisenach, Germany, came to create an enduring visual mythology of the essence of Mexico.

The tenth anniversary edition of The Oxford History of Mexico tells the fascinating story of Mexico as it has evolved from the reign of the Aztecs through the twenty-first century. Available for the first time in paperback, this magnificent volume covers the nation's history in a series of essays written by an international team of scholars. Essays have been revised to reflect events of the past decade, recent discoveries, and the newest advances in scholarship, while a new introduction discusses such issues as immigration from Mexico to the United States and the democratization implied by the defeat of the official party in the 2000 and 2006 presidential elections. Newly released to commemorate the bicentennial of the Mexican War of Independence and the centennial of the Mexican Revolution, this updated and redesigned volume offers an affordable, accessible, and compelling account of Mexico through the ages.

Praise for the previous editions: ..".well researched...concise...interesting..."--American Reference Books Annual

Agustín Victor Casasola photographed everyone of consequence in Mexico at the time of the revolution, from Francisco (Pancho) Villa, Emiliano Zapata and the exiled Russian leader Leon Trotsky to artists Diego Rivera and Frida Kahlo. For this splendid collection of Casasola's work, the noted American author Pete Hamill has written a rich essay on the photographer and the Mexico he pictured so well.