Modern Mexico is a fantastically fertile breeding ground for contemporary architecture and design. The nation is an exotic, sensual mix of cultural influences. The mysterious monolith architecture of.

Mexican Poetry has flourished during the last thirty years, and this ambitious multi-lingual anthology surveys the vibrant and eclectic work of poets born after 1950. The poetry of this new generation reflects a wealth of backgrounds, regions, styles, and especially influences -- including traditional and inventive narrative, formalism, lyrics, suites, and experimental verse. This is also the first generation of Mexican poets to hold in common an international perspective. Unlike anthologies offering only one or two poems by each author, Reversible Monuments affords its poets space enough to present larger-than-usual selections, allowing readers to more fully realize the individual voices. The translations, by both distinguished translators and brilliant new practitioners, are concise and transparent, and most are published here for the first time. In addition, several indigenous poets who write in Zapotec, Tzeltal, and Mazatec are presented tri-lingually. Book jacket.

United by their belief in the importance of the human image in art, they distanced themselves both from the social realism of their predecessors and from the pure abstraction of many of their contemporaries. Shifra Goldman begins with a brief examination of the era and issues of muralism and the art of Rufino Tamayo. She then focuses on the confrontation between socially conscious art and "pure painting" that began in the late 1950s and resulted in the formation of Nueva Presencia.

This comprehensive and engaging text explores contemporary Mexico's political, economic, and social development and examines the most important policy issues facing the country today. Readers will find this widely praised book continues to be the most current and accessible work available on Mexico’s politics and policy.

The crónica, or chronicle, which crosses the boundaries between fiction and nonfiction, literature and journalism, is a highly polemical and widely read form of writing in Mexico and throughout Latin America, where it plays an influential cultural, social, and historical role. For the first time, this book addresses the theory and practice of the chronicle in twentieth-century Mexico. Contributions by Mexican writers such as Carlos Monsiváis and Elena Poniatowska and essays on a wide range of texts and authors provide diverse perspectives on the chronicle as a literary genre and as a cultural and social practice.

This collection of essays presents a key idea or event in the making of modern Mexico through the lenses of art and history--Provided by publisher.

As the descendants of Mexican immigrants have settled throughout the United States, a great literature has emerged, but its correspondances with the literature of Mexico have gone largely unobserved. In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature. From the Trade Paperback edition.