El Método DinAr Dinámica Armónica
Title | El Método DinAr Dinámica Armónica PDF eBook |
Author | Nora Noemí Cervelo |
Publisher | Lulu.com |
Pages | 176 |
Release | 2011-11-18 |
Genre | Self-Help |
ISBN | 1105260135 |
Este es un libro que no se lee por índice o por capítulos o con alguna guía especifica; esta obra posee la insólita capacidad de establecer un nexo contigo, con tus conflictos, "simpatiza" con ellos y desde una empatía vibracional, te aclara, tal como podría hacerlo un amigo. La actitud emocional, espiritual y mental encausada en un cambio, es LA CLAVE. DinAr, Dinámica Armónica; es una técnica principalmente dedicada a los que desean un cambio armónico profundo. Quien tome este libro entre sus manos, sabrá encontrar un verdadero cambio positivo que lo acompañe el resto del camino. "Cuando un libro te interpreta, es señal de que se trata de un buen libro"
Publicacion
Title | Publicacion PDF eBook |
Author | |
Publisher | |
Pages | 54 |
Release | 1990 |
Genre | Astronomy |
ISBN |
Materials for Bilingual Bicultural Programs
Title | Materials for Bilingual Bicultural Programs PDF eBook |
Author | |
Publisher | |
Pages | 218 |
Release | 1975 |
Genre | Audio-visual materials |
ISBN |
Íkala
Title | Íkala PDF eBook |
Author | |
Publisher | |
Pages | 356 |
Release | 2007 |
Genre | Communication and culture |
ISBN |
Notas
Title | Notas PDF eBook |
Author | |
Publisher | |
Pages | 680 |
Release | 1999 |
Genre | Books |
ISBN |
El Doctor Huarte de San Juan Y Su Examen de Ingenios
Title | El Doctor Huarte de San Juan Y Su Examen de Ingenios PDF eBook |
Author | Mauricio de Iriarte |
Publisher | |
Pages | 436 |
Release | 1939 |
Genre | Genius |
ISBN |
Operetta
Title | Operetta PDF eBook |
Author | Robert Ignatius Letellier |
Publisher | Cambridge Scholars Publishing |
Pages | 710 |
Release | 2015-10-05 |
Genre | Music |
ISBN | 1443884251 |
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The first volume provides an introduction, a representative chronology of the genre from 1840 to 2013, and a survey of the national schools of France and Austria-Hungary. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary.