Every three years since 1997, an International Conference on Baptist Studies has been held--each conference being in a different country. The theme in 2006, when the conference was held in Nova Scotia, was Baptists and Mission. This is a theme that has been at the heart of Baptist life. Papers examined home and foreign mission, evangelicalism, and social concern. This volume draws together a range of the papers that were delivered. This volume has studies of significant Baptist figures such as Hanserd Knollys, Andrew Fuller, and Earl Merrick. Home mission in a number of settings in North America and Europe is examined. The range of places covered in the papers on overseas mission is considerable, including Bolivia, Mexico, India, Ivory Coast, and Brazil. All of these studies, by historians drawn from many different contexts, add new insights in this crucial area of Baptist studies.

The Icewall Cold, forbidding, remote, it stands like a dim white cloud on the very edge of sight. There Kerrick, an elf from the golden woods of Silvanesti, has been sent, an exile in disgrace. There too, a band of barbarian villagers make their stand against the remnants of an ogre empire that is determined to once again rule the frozen wastes. In the first book of this thrilling trilogy, Douglas Niles takes his readers to a land that most in Krynn have heard of only in legen -- the legend of the Icewall.

This collection contains nine most important works written and performed between 1973 and 1989. Three of the plays won first positions in national drama competitions (The Cell, the Family Question, and the Headmaster and the Rascals). Subsequently, the Family Question was performed in Detroit and published in Chicago by Bedford publishers. the Cell has been reviewed in various journals and books, Father Kalo commissioned by the Ministry of Health and John Hopkins School of Medicine was a campaign play against the spread of HIV and AIDS. Themes that preoccupy the author include alienation for returnees from the diaspora in Europe and the USA, power and its corrupting influences, ethnicity and with its offshoots of overdependence and nepotism, and intricate relationship encompassing HIV/AIDS, love and marriage. They are multilayered plays variously classified as tragic comedies, allegories, satires, characterised by high sense of humour.