Hilarious and poignant, a glimpse into the mind of someone who is both a sufferer from and an investigator of clutter. Millions of Americans struggle with severe clutter and hoarding. New York writer and bohemian Barry Yourgrau is one of them. Behind the door of his Queens apartment, Yourgrau’s life is, quite literally, chaos. Confronted by his exasperated girlfriend, a globe-trotting food critic, he embarks on a heartfelt, wide-ranging, and too often uproarious project—part Larry David, part Janet Malcolm—to take control of his crammed, disorderly apartment and life, and to explore the wider world of collecting, clutter, and extreme hoarding. Encounters with a professional declutterer, a Lacanian shrink, and Clutterers Anonymous—not to mention England’s most excessive hoarder—as well as explorations of the bewildering universe of new therapies and brain science, help Yourgrau navigate uncharted territory: clearing shelves, boxes, and bags; throwing out a nostalgic cracked pasta bowl; and sorting through a lifetime of messy relationships. Mess is the story of one man’s efforts to learn to let go, to clean up his space (physical and emotional), and to save his relationship.

With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.

A unique collection of short stories that astounded readers with its vaudeville of the subconscious set loose in broad daylight.

From the man The New York Times Book Review called "an uncommon diagnostician of the curiosities of the human heart" and hailed on NPR (National Public Radio) as "the stand-up comedian of the unconscious" comes this extraordinary new collction of metaphor-rich, wildly imaginative short-short stories. Barry Yourgrau, who performs his written work in clubs across the country and on NPR, Comedy Central, MTVs Spoken Word programs, and in an upcoming one-man feature film, now explores the imagination's twilight terrain in which love, lust, and loss reside in this achingly beautiful and rich surreal tour de force. An affair with a cannibal woman is filled with devouring kisses. A flower sprouts from a woman's flesh wherever a man kisses her, impeding their lovemaking. An abandoned lover seeks repair of the cuckoo clock that is his heart. Exploring the archetypal he-and-she from the first glance to the last tortured look, this exhilirating new collection of flash-fiction--short-short stories thematically connected--merges Freud with Fellini, Kafka with Woody Allen. At once sad, alarming, and wickedly brilliant, Barry Yourgrau is, in the uneasy land of desire and heartbreak, the spokesman for our secret self.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.

A stunning elegy to a vanished time, Caroline Heller’s memoir traces the lives of her parents, her uncle, and their circle of intellectuals and dreamers from Central Europe on the eve of World War II to present-day America. In this unforgettable dual memoir of her parents’ lives and her own, Caroline Heller brings to life the lost world of European café culture, and reminds us of the sustaining power of literature in the most challenging of times. Heller vividly evokes prewar Prague, where her parents lived, loved, and studied. Her mother, Liese Florsheim, was a young German refugee initially drawn to Erich Heller, a bright but detached intellectual, rather than to his brother, Paul. As Hitler’s power spreads and World War II becomes inevitable, their world is destroyed and they must flee the country and continent. Paul, who will eventually become the author’s father, is trapped and sent to Buchenwald, where he survives under hellish conditions. Though Paul’s life nearly ends in Europe, he reunites with Liese in the United States, where they marry. Their daughter Caroline, restless and insecure, carries the trauma of her parents’ story with her, but her quest to make peace with her heritage is eased by her love of books and writers, part of her family legacy. Through the darkest years of Hitler’s rule, Caroline’s parents and uncle had turned time and time again to literature to help them survive—and so she does as well. Written with sensitivity and grace, Reading Claudius is a profound meditation on the ways we strive to solve the mysteries of our pasts, and a window into understanding the ones we love. Praise for Reading Claudius “This fine book contains moments of emotion so pure that in the end, we too fall in love with the writer’s past.”—The New York Times Book Review “Heller plunges us lovingly and convincingly into [a] lost world.”—The Boston Globe “Caroline Heller writes with both honesty and delicacy. I was particularly enthralled by her finely drawn portrait of prewar Central Europe: a lost world whose memories are inestimably valuable and fiercely beautiful but which, without accounts like this, would fade forever.”—Anne Fadiman, author of The Spirit Catches You and You Fall Down “Reading Claudius is much more than a work of riveting personal history. It is a feat of passionate, radical integrity. Caroline Heller has wedded the greatest level of care in her scholarship to an even deeper form of search: that in which imagination becomes not only an act of love but an instrument of truth.”—Leah Hager Cohen, author of No Book but the World and The Grief of Others “A deeply felt and deeply thought memoir, it manages to unearth a whole lost world with aching tenderness and regret.”—Phillip Lopate, author of Portrait Inside My Head From the Hardcover edition.