"Mesmeric Revelation" is a short story by Edgar Allan Poe that explores a dialogue between a hypnotist and his dying patient. Through hypnosis, they discuss profound themes about the nature of the soul, the existence of God and the universe, revealing transcendent perspectives on life and death.

Using key canonical science fiction narratives, 'Mesmerists, Monsters, and Machines' examines the intersection of the literary and scientific cultures of the 19th century.

Hypnosis: A Brief History crosses disciplinary boundaries toexplain current advances and controversies surrounding the use ofhypnosis through an exploration of the history of its development. examines the social and cultural contexts of the theories,development, and practice of hypnosis crosses disciplinary boundaries to explain current advances andcontroversies in hypnosis explores shifting beliefs about the nature of hypnosis investigates references to the apparent power of hypnosis overmemory and personal identity

"Examines how the writings of Edgar Allan Poe and Margaret Fuller draw from representations of and theories concerning animal magnetism, somnambulism, or hypnosis rendered in newspapers, literary and medical journals, pamphlets, and books, and also includes discussion of Ralph Waldo Emerson, Lydia Maria Child, and Walt Whitman"--Provided by publisher.

Victorian Literary Mesmerism examines the engagement between literature and mesmerism in Victorian writing. Drawing on recent trends in interdisciplinary literary scholarship the essays collected here investigate the complex connections between scientific mesmerism, its manifestations in the Victorian social and cultural world, and the literary imagination. Here, for the first time, the varied themes and contexts shaped by mesmeric practices are brought together in one volume. Mesmerism’s influence on phrenology, medicine and mental health; its interaction with the occult and with communication technologies; the effects of mesmeric principles on gender and sexuality, as well as on criminal behaviour, are all set within the context of literary texts that interrogate and critique mesmerism’s influence on the Victorians. This volume will be of interest, therefore, to scholars of Victorian literature and the history of science, as well as to those interested in cultural history with a focus on gender, sexuality, and sciences of the mind.

All great novels are critical novels (that is to say, experimental novels) wich, under the pretense of telling a story, of bringing characters to life, of interpreting situations, slide under our eyes the mirage of a tangible form.