Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle

The FabLearn Fellows share inspirational ideas from their learning spaces, assessment strategies and recommended projects across a broad range of age levels. Illustrated with color photos of real student work, the Fellows take you on a tour of the future of learning, where children make sense of the world by making things that matter.

In this unique work, Henry Miller gives an utterly candid and self-revealing account of the reading he did during his formative years.

Kurt Baschwitz (1886-1968) had a lifelong fascination for 'the riddle of the mass' in both its visible and invisible forms. He was a major pioneer of communication and media studies on the European continent, an early student of the social, political, and mass psychology of crowds, publics, audiences, and public opinion, as well as a versatile social historian. Half a century after his death, however, he risks being forgotten and misunderstood, falling through the cracks of history.

Mes Premières lectures Montessori est une collection conçue par une équipe d'orthophonistes spécialistes de la pédagogie Montessori. Elle propose de courtes histoires adaptées à la progression de l'enfant dès 5 ans (dès qu'il connait le son des lettres) , avec 3 niveaux : niveau 1 : pour lire seul des mots phonétiques simples (mots de la "série rose" dans la méthode Montessori). - niveau 2 : pour lire seul des mots phonétiques plus longs qui peuvent comprendre des lettres muettes (mots de la "série bleue" dans la méthode Montessori). - niveau 3 : pour lire seul des mots comprenant des sons complexes (mots de la "série verte" dans méthode Montessori).