When Detective Kate Delafield and her partner, Detective Joe Cameron, get the call to investigate a homicide in the secluded, old-money neighborhood of Hancock Park, Kate has the feeling it’s not going to be murder as usual. Her hunch is correct. A cultured, refined mother of three, Victoria Talbot is the last person you’d expect to die by gunshot, execution-style. At first the finger of guilt seems to point at the victim’s ex-husband Douglas, and everyone involved—from the authorities to his own children—are more than willing to suspect him. But for Kate, the easy way has rarely been proven the right way, and there are too many unanswered questions that suggest not all is at it seems with this dysfunctional family. Now, Douglas Talbot is on trial for his life, Kate’s lover Aimee has disappeared to God-knows-where, and Kate must piece together a deadly puzzle of secrets and lies…

Alberto Manguel examines metaphors of readers and reading from literatures across centuries and the globe, from the ancient epic Gilgamesh to the World Wide Web, from the adventures of Ulysses to the tragedy of Emma Bovary, and he considers how these metaphors reflect the cultures that invent them.

Young Teddie Crawford is dead from multiple stab wounds in a restaurant kitchen awash with blood. LAPD homicide detective Kate Delafield is relentless in her pursuit and capture of his killer. But bringing that killer to trial imperils Kate’s professional standing and personal privacy—and her belief in the justice system to which she has devoted her life. The suspect claims self-defense—that Teddie Crawford made a homosexual advance and backed it up with a knife. Yet everything Kate learns about Teddie Crawford tells her that his murder was deliberate. And to develop proof of first degree murder, she must find clear answers to mystifying questions for the prosecuting attorney—a woman who has never before prosecuted a homicide case. Kate is increasingly isolated as she tries to shield her young lover from the brutal realities of this case and finds few allies among her LAPD brethren. Even her partner, Ed Taylor, is loathe to aggressively pursue a case involving a dead gay man and his gay associates. As the trial date looms, she discovers she has a personal stake: the defense attorney is a man from her past. A man with the power to expose the private life she has kept rigidly separate from her life as a police officer. Murder by Tradition reaches new heights in the powerful storytelling readers have come to expect from Katherine V. Forrest. Lambda Literary Award Winner.

Kinji had it made--a swank apartment, a real estate empire, and enough cash to lounge around living the good life. After a freak magical accident, he washes up in another world, all but enslaved to a crooked corporation. In a fantastical land where money is everything, there's only one way for an Earthling to get ahead: make your fortune, by any means necessary! Dragons, goblins, and the occasional dubious potion won't stop Kinji's quest for the world's biggest bank account. The Black Company is open for business!

Discusses the artwork of Paul Gauguin.

"Arcimboldo, a 16th century Italian artist [working in Vienna and Prague] is an artist with an indisputable claim, he single mindedly pursued his invention, the so-termed "composite head", applying it to numerous and varied subjects. Apt and witty combinations of animals, fish, fruit, vegetables, and a variety of other objects, all painted with meticulous realism, are fitted together into head and shoulder figures that sometimes have the look of portraits. He also devised compositions that can be hung upside down as well as right side up. Arcimboldo's major works were his numerous series on allegorical themes, especially the Four Seasons and the Four Elements."--Amazon.