Reproduction of the original: Merton of the Movies by Harry Leon Wilson

On the surface it may seem slightly surprising that a master of verbal humour should also be a devotee of silent comedy, but Paul Merton is completely passionate about the early days of Hollywood comedy and the comic geniuses who dominated it. His knowledge is awesome - as anyone who watched his BBC 4 series Silent Clowns or attended the events he has staged nationwide will agree - his enthusiasm is infectious, and these qualities are to be found in abundance in his book. Starting with the very earliest pioneering short films, he traces the evolution of silent comedy through the 1900s and considers the works of the genre's greatest exponents - Buster Keaton, Charlie Chaplin, Laurel and Hardy and Harold Lloyd - showing not only how each developed in the course of their career but also the extent to which they influenced each other. At the same time, Paul brings a comedian's insight to bear on the art of making people laugh, and explores just how the great comic ideas, routines, gags and pratfalls worked and evolved. His first book for ten years, this is destined to be a classic.

For forty years, James Finley’s Merton's Palace of Nowhere has been the standard text for exploring, reflecting on, and understanding the rich vein of Thomas Merton's thought. Spiritual identity is the quest to know who we are, to find meaning, to overcome that sense of “Is this all there is?” Merton’s message cuts to the heart of this universal quest, and Finley illuminates that message as no one else can. As a young man of eighteen, Finley left home for an unlikely destination: the Abbey of Gethsemani, where Thomas Merton lived as a contemplative. Finley stayed at the monastery for six maturing years and later wrote this Merton’s Palace of Nowhere in order to share a taste of what he had learned on his spiritual journey under the guidance of one of the great religious figures of our time. At the heart of the quest for spiritual identity are Merton's illuminating insights—leading from an awareness of the false and illusory self to a realization of the true self. Dog-eared, tattered, underlined copies of this book are found on the bookshelves of retreat centers, parish libraries, and the homes of spiritual seekers everywhere. This anniversary edition brings a classic to a new generation and includes a new preface by Finley.

This volume provides a broad cross-section of Merton's work as an essayist, collecting pieces that are characteristic examples of his astonishing output and the fantastic breadth of his interests. The essays range from the wisdom of the desert fathers to the novels of Faulkner and Camus, from interreligious dialogue to racial justice.

One man's search to find his role in the world is revealed in the writer's portrait of his youthful political activism and entry into a Trappist monastery

This outstanding memorial volume records and reassesses the contributions of Merton M. Gill (1914-1994), a principal architect of psychoanalytic theory and a principled exemplar of the modern psychoanalytic sensibility throughout the second half of the 20th century. Critical evaluations of Gill's place in psychoanalysis and a series of personal and professional reminiscences are joined to substantive reengagement of central controversies in which Gill played a key part. These controversies revolve around the "natural science" versus "hermeneutic" orientation in psychoanalysis (Holt, Eagle, Friedman); the status of psychoanalysis as a one-person and/or two-person psychology (Jacobs, Silverman); pyschoanalysis versus psychotherapy (Wallerstein, Migone, Gedo); and the meaning and use of transference (Kernberg, Wolitzky, Cooper).