Award-winning poet and novelist Gwendolyn MacEwen explores her strongly personal responses to the landscape, culture, and people of Greece in this exquisitely written travel diary, which was originally published in 1978. Originally published in 1978, beloved poet and novelist Gwendolyn MacEwen’s first work of nonfiction explores her strongly personal responses to a complex civilization. Partly written during a trip to Greece in 1971, MacEwen moves from the urban tumult of Athens to the radiant simplicity of an island in the Aegean. In this intimate and exquisitely written travel diary, she evokes the very spirit of Greece — the exuberance of the people, the sun-drenched landscape, and the shaping power of ancient traditions and myths in modern Mediterranean life.

An illustrated guide to mermaid art, culture, fashion and magic.

The brilliant debut novel by Helen Weinzweig, one of the first feminist writers in Canada and the award-winning author of Basic Black With Pearls. In Helen Weinzweig’s brilliant debut novel, a wedding reception becomes a gothic dream. The bride is not all she seems and there is something ambiguous about the groom — and just about everyone else at the surreal and strangely moving wedding. Like a piece of music, Passing Ceremony is composed of brief, suggestive fragments that grow into a tightly integrated whole. There are bits of real and imagined conversation; polite dialogues that slide into mad comic banality; and scenes that could be quiet nightmares out of Borges. A satire and a rueful meditation on the ways people hurt one another, Weinzweig gives us a world suspended in time, an uneasy territory of the soul, which we all inhabit. This edition features a new introduction by Jim Polk.

This study brings together three major areas of interest - history, postmodern fiction, and myth. Whereas neither history and postmodern fiction nor history and myth are strangers to one another, postmodernism and myth are odd bedfellows. For many critics, postmodern thought with its resistance to metanarratives stands in direct and deliberate contrast to myth with its apparent tendency to explain the world by means of neat, complete narratives. There is a strain of postmodern Canadian historical fiction in which myth actually forms a complement not only to postmodernism's suspicion of master-narratives but also to its privileging of those marginal and at times ignored areas of history. The fourteen works of Canadian fiction considered demonstrate a doubled impulse which at first glance seems contradictory. On the one hand, they go about demythologizing - in the Barthesian sense - various elements of historical discourse, exposing its authority as not simply a natural given but as a construct. This includes the fact that the view of history portrayed in the fiction has been either underrepresented or suppressed by official historiography. On the other hand, the history is then re-mythologized, in that it becomes part of a pre-existing myth, its mythic elements are foregrounded, myth and magic are woven into the narrative, or it is portrayed as extraordinary in some way. The result is an empowering of these histories for the future; they are made larger than life and unforgettable.

First published in 1972, Columbus and the Fat Lady introduced readers to Governor General’s Literary Award–winning author Matt Cohen’s skewed and hilarious worldview. By turns funny, surreal, wistful, savagely satirical, and brilliantly inventive, the stories in this collection intrigue and surprise the reader with their unexpected language and plots. He conjures up images that are both absurd and perceptive. From Sir Galahad as a schoolteacher to Christopher Columbus as a carnival attraction, these stories feature the improbable with strength and virtuosity. This collection is a foray into the jungles of life on this planet and the tangled but fascinating interiors of the human head.

This is a collection of women's travel writings, including work by Joan Didion, Edith Wharton, Mildred Cable, Willa Cather, Isak Dinesen, and others. In wry, lyrical, and sometimes wistful voices, they write of disguising themselves as men for safety, of longing for family left behind or falling in love with people met along the way, and of places as diverse as icy Himalayan passes and dusty American pioneer towns, the darkly wooded Siberian landscape and the lavender-covered hills of Provence. Yet even as their voices, experiences, and paths vary, they share with one another--and with us as readers--reflections upon their gender as it is illuminated by unfamiliar surroundings. Edited and with an Introduction by Mary Morris, in collaboration with Larry O'Connor. Contributors and writings include: Mary Wollstonecraft, "Letters Written During a Short Residence in Sweden, Norway, and Denmark"; Flora Tristan, "Peregrinations of a Pariah"; Frances Trollope, from "Domestic Manners of the Americans"; Eliza Farnham, from "Life in Prairie Land'; Isabella Bird, from "A Lady's Life in the Rocky Mountains"; Margaret Fountaine, from "Love Among the Butterflies"; Gertrude Bell, from "The Desert and the Sown"; Edith Wharton, from "In Morocco"; Willa Cather, from "Willa Cather in Europe'; Isak Dinesen, from "Out of Africa"; Kate O'Brien, from "Farewell Spain"; Rebecca West, from "Black Lamb and Grey Falcon"; Ella Maillart, from "The Cruel Way"; Emily Hahn, from "Times and Places"; M.F.K. Fisher, from "Long Ago in France"; Joan Didion, from "The White Album"; Christina Dodwell, from "Travels with Fortune: An African Adventure"; Annie Dillard, from "Teaching a Stone to Talk'; Gwendolyn MacEwen, from "Noman's Land".

Spanning Gwendolyn MacEwen's career from the late 1950s to the early 1970s, this is a comprehensive collection of work by one of the greatest women writers of the 20th century. It traces the trajectory of her verse and the development of her fiction and drama, and includes letters, paintings, and photographs from the oeuvre of this beloved Canadian poet.