The comic playwright Menander was one of the most popular writers throughout antiquity. This book reconstructs his life and the legacy of his work until the end of antiquity employing a broad range of sources such as portraits, illustrations of his plays, papyri preserving their texts and inscriptions recording their public performances. These are placed within the context of the three social and cultural institutions which appropriated his comedy, thereby ensuring its survival: public theatres, dinner parties and schools. Dr Nervegna carefully reconstructs how each context approached Menander's drama and how it contributed to its popularity over the centuries. The resultant, highly illustrated, book will be essential for all scholars and students not just of Menander's comedy but, more broadly, of the history and iconography of the ancient theatre, ancient social history and reception studies.

The first edition for half a century of any play of Menander designed for English-speaking students reading it in Greek.

Menander, the dominant figure in New Comedy, wrote over 100 plays. By the Middle Ages they had all been lost. Happily papyrus finds in Egypt during the past century have recovered one complete play, substantial portions of six others, and smaller but still interesting fragments. Menander was highly regarded in antiquity and his plots, set in Greece, were adapted for the Roman world by Plautus and Terence. Geoffrey Arnott's new Loeb edition is in three volumes. Volume I contains six plays, including the only complete one extant, Dyskolos (The Peevish Fellow), which won first prize in Athens in 317 B.C., and Dis Expaton (Twice a Swindler), the original of Plautus' Two Bacchises. Volume II contains the surviving portions of ten Menander plays. Among these are the recently published fragments of Misoumenos ("The Man She Hated"), which sympathetically presents the flawed relationship of a soldier and a captive girl; and the surviving half of Perikeiromene ("The Girl with Her Hair Cut Short"), a comedy of mistaken identity and lovers' quarrel. Volume III begins with Samia (The Woman from Samos), which has come down to us nearly complete. Here too are the very substantial extant portions of Sikyonioi (The Sicyonians) and Phasma (The Apparition) as well as Synaristosai (Women Lunching Together), on which Plautus's Cistellaria was based. Arnott's edition of the great Hellenistic playwright has been garnering wide praise for making these fragmentary texts more accesible, elucidating their dramatic movement.

The instructional treatises of Menander Rhetor and the Ars Rhetorica, deriving from the schools of rhetoric that flourished in the Greek East from the 2nd through 4th centuries AD, provide a window into the literary culture, educational practices, and social concerns of these Greeks under Roman rule, in both public and private life.

This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.

Love in the Age of War explores soldier characters that were at the center of many of Menander's plays. While later traditions turned these characters into clowns, Wilfred Major details how Menander portrayed the soldiers as challenging and complex men who struggle to find a place in society, and whose stories may resonate more powerfully today.