What do Mick Jagger, David Bowie, Prince Charles, and Boy George have in common? These and other sharply dressed, sexually secure, 21st-century men are incorporating skirts into their wardrobes. In this provocative, one-of-a-kind book, Andrew Bolton traces the warrior origins of kilts and sarongs and reveals how, far from feminizing men, skirts actually reinforce their virility. Some 150 photographs illustrate this colorful salute to the growing numbers of the few, if proud, men in skirts.

MAGGIE ALDERSON, novelist, philosopher of fashion and arbiter of style, brings us a new collection of her much-loved Style Notes column. Find out why men hate shopping and why women love wearing clothes men hate. Share the frustration of the search for the perfect Walkable Heeled Shoe and consider whether a size 'large' item of clothing is acceptable as a gift. Learn why it's good if your child is too embarrassed to be seen with you, and how to harness your life force through the power of yoga – and liberally applied make-up. Discover some key terms for the fashion addicted – Show Crow, Bag Hag and Fleabag – and work out where you fit on the spectrum. Warm, witty and wise, Style Notes is the ultimate insider's guide – a knowledgeable but not-too-serious take on the wonders and weirdness of the world of fashion, style and life beyond.

THE STORY: After their plane crashes, Phyllis, and her son, Bishop, are stranded on a desert island for five years. During their stay, Bishop is transformed from a stuttering, Katherine Hepburn-obsessed little boy, in to a feral savage who eventual

The first in a five volume set, this book reestablishes dress as a foundational context for crossdressing. This major study demonstrates the interplay between sex, gender, and clothes, especially as these relate to transgender behaviors, of which crossdressing is the best-known.

In a sparkling, beautifully illustrated social history, Skirts traces the shifting roles of women over the twentieth century through the era’s most iconic and influential dresses. While the story of women’s liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O’Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era. Kimberly Chrisman-Campbell's Skirts looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn—and the women who wore them—while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves.

The first in a five volume set, this book reestablishes dress as a foundational context for crossdressing. This major study demonstrates the interplay between sex, gender, and clothes, especially as these relate to transgender behaviors, of which crossdressing is the best-known.