Excerpt from Memories and Studies of War and Peace Here you and I are, said Skobeleff with a laugh, like Uriah the Hittite, right in the forefront of the battle; and how strange it is that quiet stay-at-home folk all over the world, who take their morning papers just as they do their breakfasts, know ever so much more about this war as a whole than we fellows do, who are actually listening to the whistle of the bullets and the crash of the shells! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Memories and Studies of War and Peace, Vol. 1 of 2 Here you and I are, said Skobelefi' with a laugh, like Uriah the Hittite, right in the forefront of the battle; and how strange it is that quiet stay-at-home folk all over the world, who take their morning papers just as they do their breakfasts, know ever so much more about this war as a whole than we fellows do, who are actually listening to the whistle of the bullets and the crash of the shells! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Memories and Studies of War and Peace, Vol. 2 of 2 It was not to make the acquaintance of the young lady in question that we had penetrated into the bowels of the ugly and squalid Bulgaria - that game, even to the more youthful Villiers, would have been scarcely worth the candle. The fact was that we were with the Russian army which crossed the Danube in the. End of June, 1877. We had been with gallant old Yolchine's stout soldiers of the Volhynia and Minsk regiments when in the sullen darkness of the early morning of the 27th, they had crossed the Danube in the pontoon boats and had fallen upon the Turkish detachment at the Tekir Dere. A few days later the pontoon bridge was com pleted, and there crossed into Bulgaria the column, strong of all arms, at the head of which Gourko was to penetrate into the Balkans and take in reverse the Turkish garrison in the Passes. Gourko pushed on ahead of his infantry with his two cavalry brigades, one of dragoons commanded by Prince Eugene of Leuchten berg, and one of hussars commanded by the late Duke (nicholas) of Leuchtenberg, both near relatives of the Czar. The first three days' march was over a bare, rolling country studded with villages and farms; on the morning of the 4th of July we were at the mouth of the Zavada gorge in the trough of which flows the Jantra, skirted by the road which leads up to the irregular precipice-fringed mass of rock on which Tirnova is built. Turkish troops were reported still in possession of the town, but Gourko drove them away with insignificant loss and we entered the same afternoon. Tirnova is perched on a veritable eyrie, the rock summit having just space for a cramped market-place. And a tortuous narrow street, flanked by tall, quaint-fronted wooden houses with projecting balconies and a continuous arcade over the side-walks. Macgahan had been in Tirnova in the previous summer during his atrocities investiga tions, and had then been the guest of Maritza and her mother, to whose domicile we were all now heartily wel comed. Ascending to the first floor - there was a shop on the street level - we found ourselves in a spacious lofty room, with a divan along all the four sides; the floor was covered with fine old Eastern rugs and in one corner was the shrine or z'eon with a lamp \burning in front of it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Memories and Studies of War and Peace, Vol. 2 of 2 I am well aware that in giving the above heading to this chapter I am exposing myself to scorn, obloquy, and contumely. Throughout life I have consistently tried to be a man of truth; but I am mournfully conscious that this attribute will now be, strenuously denied me. "To speak of a pretty Bulgarian woman," I hear Mr. Frederick Boyle assert in his mild yet direct manner, "is to enunciate a contradiction in terms." Mr. Beatty-Kingston, a judge of the sex, will probably formulate the axiom that "it is not in the nature of things that there can be a pretty Bulgarian woman." I am with both those gentlemen to a modified extent; physical repulsiveness is the rule as regards the female Bulgarian: but there never was a rule without at least one exception. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

Excerpt from Collection of British Authors, Vol. 1 of 2: Tauchnitz Edition, Memories and Studies of War and Peace Here you and I are, said Skobelefi' with a laugh, like Uriah the Hittite, right in the forefront of the battle; and how strange it is that quiet stay-at-home folk all over the world, who take their morning papers just as they do their breakfasts, know ever so much more about this war as a whole than we fellows do, who are actually listening to the whistle of the bullets and the crash of the shells! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.