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Excerpt from Memories and Studies of War and Peace Here you and I are, said Skobeleff with a laugh, like Uriah the Hittite, right in the forefront of the battle; and how strange it is that quiet stay-at-home folk all over the world, who take their morning papers just as they do their breakfasts, know ever so much more about this war as a whole than we fellows do, who are actually listening to the whistle of the bullets and the crash of the shells! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Memories and Studies of War and Peace, Vol. 1 of 2 Here you and I are, said Skobelefi' with a laugh, like Uriah the Hittite, right in the forefront of the battle; and how strange it is that quiet stay-at-home folk all over the world, who take their morning papers just as they do their breakfasts, know ever so much more about this war as a whole than we fellows do, who are actually listening to the whistle of the bullets and the crash of the shells! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Memories and Studies of War and Peace, Vol. 2 of 2 I am well aware that in giving the above heading to this chapter I am exposing myself to scorn, obloquy, and contumely. Throughout life I have consistently tried to be a man of truth; but I am mournfully conscious that this attribute will now be, strenuously denied me. "To speak of a pretty Bulgarian woman," I hear Mr. Frederick Boyle assert in his mild yet direct manner, "is to enunciate a contradiction in terms." Mr. Beatty-Kingston, a judge of the sex, will probably formulate the axiom that "it is not in the nature of things that there can be a pretty Bulgarian woman." I am with both those gentlemen to a modified extent; physical repulsiveness is the rule as regards the female Bulgarian: but there never was a rule without at least one exception. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book examines the phenomenon of modern memory as a reaction to total war, an aspiration to truth-seeking provoked by the independent forces of modern war and collective violence which is transnational, or postnational, in character. Using examples from prose and poetry, film and theatre, painting and photography, and music and the popular arts, the author traces a narrative path through the events of the twentieth century, defining the tradition of modern memory in terms of its essentially anti-militaristic, anti-war character, as expressed in the manner in which it represents recalled violence and atrocity. Through a series of thematic discussions of two world wars, the Shoah, urbicide and nuclear weapons, Postnational Memory explores the formation of transnational memory, drawing on examples from industrialized societies, with a focus on memory of real events and their reproduction in literature and the arts, often including personal recollections that link the self to the represented past. As such, by asking how the concept of modern memory is constructed through the victims of war and genocide, the book constitutes an alternative to national memories and hegemonic, militarist or ethnocentric histories. Surveying the emergence of new, transnational forms of remembering the past, it will appeal to students and scholars of sociology, memory studies and peace studies, as well as those working in disciplines such as modern and international history, cultural studies and military studies.