In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.

Old grudges, tribal traditions, and outside influences collide for a Kiowa woman as forces threaten her family, her tribe, and the land of her ancestors, in this own-voices debut perfect for fans of Winter Counts. No one called her Mud in Silicon Valley. There, she was Mae, a high-powered professional who had left her Kiowa roots behind a decade ago. But a cryptic voice message from her grandfather, James Sawpole, telling her to come home sounds so wrong that she catches the next plane to Oklahoma. She never expected to be plunged into a web of theft, betrayal, and murder. Mud discovers a tribe in disarray. Fracking is damaging their ancestral lands, Kiowa families are being forced to sell off their artifacts, and frackers have threatened to kill her grandfather over his water rights. When Mud and her cousin Denny discover her grandfather missing, accused of stealing the valuable Jefferson Peace medal from the tribe museum—and stumble across a body in his work room—Mud has no choice but to search for answers. Mud sets out into the Wildlife Refuge, determined to clear her grandfather's name and identify the killer. But Mud has no idea that she's about to embark on a vision quest that will involve deceit, greed, and a charging buffalo—or that a murderer is on her trail.

At nine years old, Monica Holloway develops a fascination with the local funeral home. Small wonder, with a father who drives his Ford pick up with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children. In between her father's bouts of violence and abuse, Monica becomes fast friends with Julie Kilner, whose father is the town mortician. She and Julie preferred the casket showroom to the parks and grassy backyards in her hometown of Elk Grove, Ohio, where they would take turns lying in their favourite coffins. In time, Monica and Julie get a job driving the company hearse to pick up bodies from the airport, yet even Monica's growing independence can't protect her from her parents' irresponsibility, and from the feeling that she simply does not deserve to be safe. Little does she know, as she finally strikes out on her own, that her parents' biggest betrayal has yet to be revealed...

Named one of Esquire's "Best Nonfiction Books of 2018" "Sharp and searching...a potent look at the fraught, painful, and complicated relationship between parents and children, and the mysteries — revelatory, difficult — that can and cannot be solved." — Boston Globe Anya Yurchyshyn grew up in a narrow townhouse in Boston, every corner filled with the souvenirs of her parents’ adventurous international travels. On their trips to Egypt, Italy, and Saudi Arabia, her mother, Anita, and her father, George, lived an entirely separate life from the one they led as the parents of Anya and her sister – one that Anya never saw. The parents she knew were a brittle, manipulative alcoholic and a short-tempered disciplinarian: people she imagined had never been in love. When she was sixteen, Anya’s father was killed in a car accident in Ukraine. At thirty-two, she became an orphan when her mother drank herself to death. As she was cleaning out her childhood home, she suddenly discovered a trove of old letters, photographs, and journals hidden in the debris of her mother’s life. These lost documents told a very different story than the one she’d believed to be true – of a forbidden romance; of a loving marriage, and the loss of a child. With these revelations in hand, Anya undertook an investigation, interviewing relatives and family friends, traveling to Wales and Ukraine, and delving deeply into her own difficult history in search of the truth, even uncovering the real circumstances of her father’s death – not an accident, perhaps, but something more sinister. In this inspiring and unflinchingly honest debut memoir, Anya interrogates her memories of her family and examines what it means to be our parents’ children. What do we inherit, and what can we choose to leave behind? How do we escape the ghosts of someone else’s past? And can we learn to love our parents not as our parents, but simply as people? Universal and personal; heartbreaking and redemptive, My Dead Parents helps us to see why sometimes those who love us best hurt us most.

Relocating to Charleston after a particularly grueling case, Dr. Kay Scarpetta opens a private forensic pathology practice but is quickly targeted by local politics and a covert saboteur before a series of violent deaths bring her skills into high view. 1,500,000 first printing. BOMC, Lit Guild, Doubleday, & Mystery Guild Main.

During a writing career lasting nearly seven decades, E. Hoffman Price formed lasting friendships with many of the great and near-great fictioneers, editors and artists of his day -- H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Otis Adelbert Kline, Farnsworth Wright, W.K. Mashburn, Ralph Milne Farley, Seabury Quinn, Hugh Rankin, Robert Spencer Carr, Barsoom Badigian, Harry Olmstead, Albert Richard Wetjen, Norbert W. Davis, Milo Ray Phelps, William S. Bruner, Henry Kuttner, Jack Williamson, August Derleth and Edmond Hamilton. Through long correspondence and many cross country trips, E. Hoffman Price kept diaries of his visits, which from time to time he transformed into essays recalling the grand old days of the fictioneer's precarious way of life. Several essays were previously published in fanzines and as Arkham House book introductions. In 1977, Price rewrote these and added additional essays to fill a book. This is one of the most fascinating and historically important books about the pulp fiction era.

An NBA sports star and cultural icon discusses his catastrophic spinal collapse in 2007, the excruciating pain he suffered and his slow recovery, as well as his childhood, sports career, and the political and cultural upheaval of the 1960s.