Intro -- Contents -- Foreword -- Translators' Note -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- In Place of an Epilogue -- Glossary -- Index.

Elena Gorokhova’s A Mountain of Crumbs is the moving story of a Soviet girl who discovers the truths adults are hiding from her and the lies her homeland lives by. Elena’s country is no longer the majestic Russia of literature or the tsars, but a nation struggling to retain its power and its pride. Born with a desire to explore the world beyond her borders, Elena finds her passion in the complexity of the English language—but in the Soviet Union of the 1960s such a passion verges on the subversive. Elena is controlled by the state the same way she is controlled by her mother, a mirror image of her motherland: overbearing, protective, difficult to leave. In the battle between a strong-willed daughter and her authoritarian mother, the daughter, in the end, must break free and leave in order to survive. Through Elena’s captivating voice, we learn not only the stories of Russian family life in the second half of the twentieth century, but also the story of one rebellious citizen whose curiosity and determination finally transport her to a new world. It is an elegy to the lost country of childhood, where those who leave can never return.

Marek Hlasko's literary autobiography is a vivid, first-hand account of the life of a young writer in 1950s Poland and a fascinating portrait of the ultimately short-lived rebel generation. Told in a voice suffused with grit and morbid humor, Hlasko's memoir was a classic of its time. In it he recounts his adventures and misadventures, moving swiftly from one tale to the next. Like many writers of his time, Hlasko also worked in screen writing, and his memoir provides a glimpse into just how markedly the medium of film affected him from his very earliest writing days. The memoir details his relationships with such giants of Polish culture as the filmmaker Roman Polanski and the novelist Jerzy Andrzejewski. Hlasko is the most prominent example of a writer who broke free from the Socialist-Realist formulae that dominated the literary scene in Poland since it fell under the influence of the Soviets. He made his literary debut in 1956 and immediately became a poster boy for Polish Literature. He subsequently worked at some of the most important newspapers and magazines for intellectual life in Warsaw. Hlasko was sent to Paris on an official mission in 1958, but when he published in an émigré Parisian press his novel of life in post-War Poland, he was denied a renewal of his passport. In effect, he was called back to Poland, and when he refused to return he was stripped of his Polish citizenship. He spent the rest of his life working in exile. Marek Hlasko was a rebel whose writing and iconoclastic way of life became an inspiration to those of his generation and after. Here, in the first English translation of his literary memoir, Ross Ufberg deftly renders Hlasko's wry and passionate voice.

From the author of the multi-million copy bestseller The Tattooist of Auschwitz comes a new novel based on a riveting true story of love and resilience. Her beauty saved her — and condemned her. Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp in 1942, where the commandant immediately notices how beautiful she is. Forcibly separated from the other women prisoners, Cilka learns quickly that power, even unwillingly taken, equals survival. When the war is over and the camp is liberated, freedom is not granted to Cilka: She is charged as a collaborator for sleeping with the enemy and sent to a Siberian prison camp. But did she really have a choice? And where do the lines of morality lie for Cilka, who was send to Auschwitz when she was still a child? In Siberia, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she meets a kind female doctor, Cilka is taken under her wing and begins to tend to the ill in the camp, struggling to care for them under brutal conditions. Confronting death and terror daily, Cilka discovers a strength she never knew she had. And when she begins to tentatively form bonds and relationships in this harsh, new reality, Cilka finds that despite everything that has happened to her, there is room in her heart for love. From child to woman, from woman to healer, Cilka's journey illuminates the resilience of the human spirit—and the will we have to survive.

A vast system of prisons, camps, and exile settlements, the Gulag was one of the defining attributes of the Stalinist Soviet Union and one of the most heinous examples of mass incarceration in the twentieth century. It combined a standard prison system with the goal of isolating and punishing alleged enemies of the Soviet regime. More than 25 million people passed through the Gulag from its creation in 1930 to its dismantling in the 1950s. By presenting both the everyday experiences of ordinary prisoners and the overall political and economic background of the system, The Gulag: A Very Short Introduction offers a succinct and comprehensive study of the Gulag and its legacy in the former USSR.

Caught up in one of the many purges that swept the Soviet Union during the Great Terror, Leonid Petrovich Bolotov (1906-1987) was one of 86 engineers arrested at Leningrad's Red Triangle Rubber Factory and sent to the Gulag as "enemies of the people." He would be the only one to survive and return to his family after enduring two decades in the infamous Kolyma labor camps. Translated into English and published here for the first time, Bolotov's memoir narrates with growing intensity his arrest, imprisonment and interrogation, his "confession" and trial, his exile to hard labor in Arctic Siberia, and his rehabilitation in 1956 following the official end of Stalin's personality cult.