Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary imagination responds to the political, industrial and agrarian revolutions. Topics include Samuel Taylor Coleridge's credentials as a green writer, the interaction between John Ruskin's religious and political ideas and his changing view of nature, William Morris and the Garden City movement, H. G. Wells and the Fabians, the devastated landscapes in the poetry and fiction of the First World War, and the leftist pastoral poetry of the 1930s. In historicizing and connecting environmentally sensitive literature with socialist thought, these essays explore the interactive vision of nature and society in the work of writers ranging from William Wordsworth and John Clare to John Berger and John Burnside.

A moving tale from the great writer Thomas Hardy, exposing the inequality of nineteenth century society In this short tragedy, the honourable behaviour of a young woman and the foreign soldier with whom she is in love is confronted by the hypocritical respectability of English society. The story ends in betrayal and execution. The Melancholy Hussar of the German Legion contains all the elements of pastoral tragedy that are found in Hardy's novels, Tess of the D'Urbervilles and Far From the Madding Crowd.

The darkly passionate short stories of Thomas Hardy are compelling explorations of love, social class, superstition and legend. This collection contains many of his finest and most representative, and includes 'The Withered Arm', an eerie depiction of arcane witchcraft in nineteenth-century England; 'Barbara of the House of Grebe', in which a beautiful man's tragic disfigurement by fire is savagely exploited by his rival; 'The Son's Veto', showing the cruelty of an educated youth towards his ignorant but tender mother; and 'The Distracted Preacher', the story of one man's conflict between heartfelt love and his own sense of moral and civic duty. By turns moving and poetic, and surprisingly modern and brutally macabre, these eloquent tales may be numbered among the greatest creations of Hardy's genius.

The Melancholy Hussar/ A Tragedy of Two Ambitions/ The First Countess of Wessex/ Barbara of the House of Grebe/ For Conscience' Sake/ The Son's Veto/ On the Western Circuit/ An Imaginative Woman/ A Changed Man/ Enter a Dragoon The 11 short storiesin this collection range from those with the Wessex setting familiar from Hardy's novels, to aristocratic historical fantasies set in the 17th and 18th centuries, and tragic or ironic contemporary dramas. Enormously readable in their own right, thestories can also be seen as a rich testing ground for ideas and themes that receive more sustained treatment in Hardy's most innovative and controversial novels.