Meissen porcelain is eagerly collected throughout the world and traded vigorously at antique shows, auctions, and on the Internet. Of the few books available on this beautiful German porcelain, none includes current market values - but Jim and Susan Harran's new Meissen Porcelain does! The authors of the bestselling three-volume series, Collectible Cups & Saucers, and another volume, Dresden Porcelain Studios, have produced a book that features everyday items available in the marketplace, not the eighteenth century museum pieces found in many Meissen books. The majority of pieces featured date from the mid-nineteenth century through the 1950s. More than 625 color photographs are included, along with a helpful marks section. Meissen Porcelain provides historical information about the beautiful city of Meissen and a brief history of the Meissen manufactory itself, as well as discussions on decorating motifs and how Meissen porcelain is made. The book includes chapters on decorative porcelain, flower painting, Oriental motifs, Meissen's famous Blue Onion pattern, figures, copycats, and useful information for the collector.

Represents the most recent and significant scholarship on the Wark Collection, one of the finest Meissen collections in the world.

The Arnhold porcelain collection is the most important of the great pre-war Meissen collections to have survived intact, remaining with the descendants of the original collectors Heinrich and Lisa Arnhold. Most of the pieces date from the first decades of the royal factory established by August II, elector of Saxony and king of Poland, in 1710, featuring a broad range of early works, much of it experimental. Brought to America in the 1940's ahead of the family's move from Dresden, Henry Arnhold has continued to expand its depth and range, resulting in a rich and personal collection. This volume contains essays by Sebastian Kuhn and Heike Biedermann, and is introduced by Henry's Arnhold's personal recollection of his family as collectors and art patrons in Dresden and of how the porcelain collection was created.

"Augustus the Strong (1670-1733) had long been a collector of Japanese and Chinese porcelain, and it was to house his collection that the Japanese Palace in Dresden was purchased. In 1729 Augustus enlarged the building to nearly double its original size in order to create a "porcelain palace." One gallery was to be entirely devoted to Meissen porcelain, including the exceptional animal figures that are the subject of this book and the exhibition it accompanies."--BOOK JACKET.

The Meissen figures, groups, animals and birds of the first half of the eighteenth century constitute not only a unique chapter in European ceramics but also a multi-faceted portrait of a society marked by humour, tolerance, scientific curiosity, and interest in all fields of art. Amongst the most original and beautiful artistic creations of this period are the porcelain birds modelled by Johann Joachim K�ndler. The present volume is the first comprehensive survey of more than one hundred porcelain birds by Johann Joachim K�ndler (1706-1775). This prolific sculptor created the models for all of these figures during the twenty-year period from his entry into service at the manufactory in 1731 up until 1750. The vast majority of these rare and magnificently coloured masterpieces were inspired by the observation of live specimens and are still unparalleled today. A total of 115 bird figures are published here along with the latest research findings and a wealth of historical cross-references and background. In some cases, the provenance of the figures can be traced back to the original royal collections or to those of the Rothschilds, Ole Olsen, and others. Without exception, all the present pieces now form part of European private collections. The original German-language publication was the catalogue of the exhibition Kabinettst�cke - Die Mei�ener Porzellanv�gel von Johann Joachim K�ndler 1706 -1775 (Munich, October 20 to November 18, 2006), in which the general public enjoyed an exceptional opportunity to see these masterpieces from private collections gathered together under one roof.