He's empty, inhuman, dishonest, and cruel. She's never wanted anyone more. Sydney has lived in fear for eight years after freelance assassin, Merc, failed to rescue her from a cult-like militia group. Left in the hands of a sadistic man, she did whatever it took to survive. But Merc's last words gave her hope. Hope he'd be back to finish the job. After Merc is betrayed by her father, Sydney becomes his target. He wields sex, drugs, lies, and love like weapons. Merc knows just what to do with a fearful girl like Sydney. He's in control. He's "always" in control. But Sydney Channing is not what she appears. And Merc's only redeeming act-the very one that made Sydney's life a living hell-might just be his worst mistake yet. WARNING: Meet Me In The Dark is a STANDALONE non-traditional DARK CAPTIVE ROMANTIC SUSPENSE. It is not intended for sensitive readers.

You’ve Got Mail meets The Proposal—this romance is one for the books. Savannah Cade’s dreams are coming true. The Claire Donovan, editor-in-chief of the most successful romance publishing company in the country, has requested to see the manuscript Savannah’s been secretly writing. The only problem: she’s an editor for a different company, and their philosophy is only highbrow works are worth printing and romance should be reserved for the lowest level of Dante’s inferno. But when Savannah drops her manuscript during a staff meeting and nearly exposes herself to the whole company—including William Pennington, the new boss and son of the romance-despising CEO herself—she has no choice but to hide the manuscript in a hidden room. When she returns, she’s dismayed to discover that someone has not only been in her hidden nook but has written notes in the margins—quite critical ones. But when Claire’s own reaction turns out to be nearly identical to the scribbled remarks, and worse, Claire announces that Savannah has six weeks to resubmit before she retires, Savannah finds herself forced to seek the help of the shadowy editor after all. As their notes back and forth start to fill up the pages, however, Savannah finds him not just becoming pivotal to her work but her life. There’s no doubt about it: she’s falling for her mystery editor. If she only knew who he was. “Meet Me in the Margins is a delightfully charming jewel of a book that fans of romantic comedy won’t be able to put down!” — Kristy Woodson Harvey, New York Times bestselling author of Under the Southern Sky

Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.

Sydney has lived in fear for eight years after freelance assassin, Merc, failed to rescue her from a cult-like militia group. Left in the hands of a sadistic man, she did whatever it took to survive. But Merc's last words gave her hope. Hope he'd be back to finish the job. After Merc is betrayed by her father, Sydney becomes his target. He wields sex, drugs, lies, and love like weapons. Merc knows just what to do with a fearful girl like Sydney. He's in control. He's always in control. But Sydney Channing is not what she appears. And Merc's only redeeming act--the very one that made Sydney's life a living hell--might just be his worst mistake yet.

Ollie and Moritz are two teenagers who will never meet. Each of them lives with a life-affecting illness. Contact with electricity sends Ollie into debilitating seizures, while Moritz has a heart defect and is kept alive by an electronic pacemaker. If they did meet, Ollie would seize, but turning off the pacemaker would kill Moritz. Through an exchange of letters, the two boys develop a strong bond of friendship which becomes a lifeline during dark times – until Moritz reveals that he holds the key to their shared, sinister past, and has been keeping it from Ollie all along.

Where do you run when your heart's breaking all the rules? When pillar-of-the-community Harry Stewart dies of a sudden heart attack, the whole village is devastated - except for his wife Karen, the only one who really knew the abusive alcoholic Harry had become. Suddenly freed from this oppressive marriage, Karen is nonetheless wracked with guilt about the circumstances of her husband's death, and sees the presence of her spoiled step-daughter, Sophie, as a suitable purgatory. Her only comfort in her grief and isolation is William, the sympathetic local vicar. As Karen shares her secret, William's listening ear soon becomes a shoulder to cry on, and before long Karen realises she is falling in love. But William has a wife and teenaged daughter, not to mention a parish to watch over - and be watched by. As the pressure becomes too much to bear, Karen flees to the seaside and to Mike Best's beach café. But when William suddenly turns up again in her life, can they persuade each other to take one final leap of faith together?