This book examines over 4000 years of culture history of the related Nuu-chah-nulth, Ditidaht, and Makah peoples on western Vancouver Island and the Olympic Peninsula. Using data from the Toquaht Archaeological Project, McMillan challenges current ethnographic interpretations that show little or no change in these peoples’ culture. Instead, by combining historical evidence, recent archaeological data, and oral traditions he demonstrates conclusively that there were in fact extensive cultural changes and restructuring in these societies in the century following contact with Europeans. McMillan brings the reader up to modern times, identifying the major issues that face the Nuu-chah-nulth, Ditidaht, and Makah communities today.

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Now a major motion picture A literary star returns with an addictive tale of murder in Victorian London. Peter Ackroyd is "our most exciting and original writer... one of the few English writers of his generation who will be read in a hundred years' time." -- The Sunday Times (London) Without a doubt, Peter Ackroyd's breakout book. It has all the erudition and literary brilliance we expect of Ackroyd, yet it is as vivid, scary, and spellbinding as the best of Edgar Allan Poe. The year is 1880, the setting London's poor and dangerous Limehouse district, home to immigrants and criminals. A series of brutal murders has occurred, and, as Ackroyd leads us down London's dark streets, the sense of time and place becomes overwhelmingly immediate and real. We experience the sights and sounds of the English music halls, smell the smells of London slums, hear the hooves of horses on the cobblestone streets, and attend the trial of Elizabeth Cree, a woman accused of poisoning her husband but who may be the one person who knows the truth about the murders. The wonderfully rhythmic shifting of focus from trial to back alleys, where we come upon George Gissing, author of New Grub Street, and even Karl Marx, gives the story a tremendous depth and resonance beyond its page-turning thriller plot. Peter Ackroyd has once again confirmed his place as one of the great writers of our time. Previously published as The Trial Of Elizabeth Cree.

The first economic, military, and diplomatic history of the Plains Cree from contact with the Europeans in the 1670s to the disappearance of the buffalo from Cree lands by the 1870s, focussing on military and trade relations between 1790 and 1870. Milloy describes three distinct eras, each characterized by a paramount motive for war—the wars of migration and territory, the horse wars during the 'golden years' of Plains Indian life, and buffalo wars, which mark the trail to the reserves. Intimately linked to each era was a particular trade pattern and a military system that linked the Cree with other Plains tribes and non-Natives. By tracing these themes, Milloy charts the ability of the Cree to serve their economic interests by forging alliances or undertaking military or diplomatic offensives.

Cree is the most widespread native language in Canada. The Alberta Elders' Cree Dictionary is a highly usable and effective dictionary that serves students, business, governments, and media. Designed for speakers, students, and teachers of Cree; includes Cree-English and English-Cree sections.

The papers in this book focus on several themes: the identification of Indian motives; the degree to which Indians were discriminating consumers and creative participants; and the extent of the native dependency on the trade. It spans the period from the seventeenth century up to and including the twentieth century. In one of the key essays, Arthur J. Ray questions the theory that modern native welfare societies are of recent origin, and traces their roots to the early fur trade. Papers by Charles A. Bishop, Toby Morantz and Carol Judd focus on the North Algonquians in the eastern subarctic and earlier centuries of the trade, while two final essays by Shepard Krech, and Robert Jarvenpa and Hetty Jo Brumbach shift the focus to the North Athapascans in the western subarctic.

"The first comprehensive study of North American Indigenous languages as the basis of textualized orality in Indigenous literatures in English. Drawing on a significant Indigenous language structure -- the holophrase (one-word sentence) -- Neuhaus proposes "holophrastic reading" as a culturally specific reading strategy for orality in Indigenous writing. In readings of works by Ishmael Alunik (Inuvialuit), Alootook Ipellie (Inuit), Richard Van Camp (Dogrib), Thomas King (Cherokee), and Louise Bernice Halfe (Cree), she demonstrates that (para)holophrases -- the various transformations of holophrases into English-language discourse -- textualize orality in Indigenous literatures by grounding it in Indigenous linguistic traditions. Neuhaus's discussion points to the paraholophrase, the functional equivalent of the holophrase, as a central discourse device in Indigenous writing and as a figure of speech in its own right. Building on interdisciplinary research, this groundbreaking study not only links oral strategies in Indigenous writing to Indigenous rhetorical sovereignty, but also points to ancestral language influences and Indigenous rhetoric more generally as areas for future research"--Cover.