Henry Grave is an investigator for the Association of Cruising Vessel Operators. A World War II P.O.W., Henry is as cunning as he is charming, and at 84 years of age, he fits right in with his fellow passengers. The cruising yacht Vesper is anchored off the Greek island of Thera, in the caldera of an ancient volcano when Henry comes aboard. An Egyptian federal agent was onboard to guard a valuable Minoan cup, but the agent was murdered and the cup, stolen. With the help of a Nicaraguan soap opera star, a New Age spiritualist, and a blind pickpocket, Henry draws on skills honed in a Nazi prison camp to track down a killer who might have his own reasons for taking this particular cruise, reasons unrelated to the sumptuous meals, delightful shipboard activities, and exciting ports of call. 12 million people take a cruise each year. Most have fun. Some die. Henry Grave investigates.

The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.

This scholarly yet accessible book explores the social anthropology of Malta within the context of regional cultural exchange between the Maltese and their neighbors. Contributors to Malta's rich cultural development have been the Phoenicians, Carthaginians, Sicilians, Greeks, Romans, Berbers, Arabs, Turks, Normans, Spaniards, French, British, and others. Other important contributors have been the Holy See and the Order of St. John, whose members have often been known simply as the Knights of Malta. Malta is a missing link to understanding many interrelationships among Mediterranean peoples and civilizations that hitherto have remained hidden or problematic. Located at the center of the Mediterranean Basin, Malta has been pivotal in numerous cultural transformations and can serve as a prism for understanding much that is important about lifeways in the Mediterranean: trade, subsistence systems, religion, urbanization, and the transmigration of peoples in war and in peace.

Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed-media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valérie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning. In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Graves—an eclectic cast that includes Beyoncé, Radcliffe Bailey, Edwidge Danticat, Édouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Édouard Duval-Carrié, Natasha Trethewey, and Kara Walker, among others—are an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritual—whether in the context of the aftermath of slavery or of ecological and human-made catastrophes—their aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.