The sixth volume of The New Cambridge Medieval History covers the fourteenth century, a period dominated by plague, other natural disasters and war which brought to an end three centuries of economic growth and cultural expansion in Christian Europe, but one which also saw important developments in government, religious and intellectual life, and new cultural and artistic patterns. Part I sets the scene by discussion of general themes in the theory and practice of government, religion, social and economic history, and culture. Part II deals with the individual histories of the states of western Europe; Part III with that of the Church at the time of the Avignon papacy and the Great Schism; and Part IV with eastern and northern Europe, Byzantium and the early Ottomans, giving particular attention to the social and economic relations with westerners and those of other civilisations in the Mediterranean.

Essays on the discipline of medieval history and its practitioners, from the late eighteenth century onwards. A hugely interesting set of essays, reflecting on a variety of ways in which medieval history has developed to the present time. Scholarship of the highest standard, deeply thought-provoking and deeply engaged with the inheritances and future tasks of medieval academic history. The collection will be essential reading for all medievalists. John Arnold, Professor of Medieval History, University of Cambridge. Medieval history is present in manyforms in our world. Monuments from the Middle Ages or inspired by them are a familiar feature of landscapes across Europe and beyond; the period between the end of the Roman Empire in Western Europe and the Reformation and European expansion is an essential part of our imagination, be it conveyed through literature, the arts, science fiction or even video games; it is also commonly invoked in political debates. Specialists in the field have played a majorrole in shaping modern perceptions of the era. But little is known about the factors that have influenced them and their work. The essays in this volume provide original insights into the fabric and dissemination of medieval history as a scholarly discipline from the late eighteenth century onwards. The case-studies range from the creation of specific images of the Middle Ages to the ways in which medievalists have dealt with European identity, contributed to making and deconstructing myths and, more specifically, addressed questions relating to land and frontiers as well as to religion. GRAHAM A. LOUD is Professor of Medieval History at the University of Leeds;MARTIAL STAUB is Professor of Medieval History at the University of Sheffield. Contributors: Christine Caldwell Ames, Peter Biller, Michael Borgolte, Patrick Geary, Richard Hitchcock, Bernhard Jussen, Joep Leerssen, G.A. Loud, Christian Lübke, Jinty Nelson, Bastian Schlüter, Martial Staub, Ian Wood.

Rattle through 1000 years of horrible history, from the fifth century to the sixteenth century Famine, plague and public execution – the medieval period wasn't the best time for some, but heroic rulers like Charlemagne, William the Conqueror and Henry V made sure that it was full of action. Brimming with facts, this book helps you get under the skin of the people who lived at the time, from impoverished peasants to opulent monarchs. From the Dark Ages to the Renaissance and all the upheavals in between, this book takes the pain out of medieval history. The Black Death – assess the deadly pandemic that swept through Britain and Europe killing millions of people The Holy Roman Empire strikes back – understand how the empire fought to maintain its position Falling apart – witness the arrival of powerful armies from the east and invaders from the north, and the dramatic effects of religious schisms Heading for the Holy Land – uncover the reasons why crusading became so popular, and ultimately so unsuccessful, between the eleventh and fourteenth centuries Living in the medieval world – understand the lives of monks and monarchs, peasants and popes, and travellers and traders of the period Waging conflicts, battles and wars – a look through the troubles that shaped the medieval age; from the fall of the Roman Empire to the Wars of the Roses Open the book and find: Why the peasants revolted Where Chaucer gained inspiration to write The Canterbury Tales Which religious groups fought for power How the Magna Carta shaped our present-day legal system Why the Vikings may have got to America before Columbus Profiles of the best and worst medieval monarchs How Joan of Arc made her name The great and grisly histories of surviving medieval castles Go to Dummies.com for videos, step-by-step examples, how-to articles or to shop!

We don’t usually think of haute cuisine when we think of the Middle Ages. But while the poor did eat a lot of vegetables, porridge, and bread, the medieval palate was far more diverse than commonly assumed. Meat, including beef, mutton, deer, and rabbit, turned on spits over crackling fires, and the rich showed off their prosperity by serving peacock and wild boar at banquets. Fish was consumed in abundance, especially during religious periods such as Lent, and the air was redolent with exotic spices like cinnamon and pepper that came all the way from the Far East. In this richly illustrated history, Hannele Klemettilä corrects common misconceptions about the food of the Middle Ages, acquainting the reader not only with the food culture but also the customs and ideologies associated with eating in medieval times. Fish, meat, fruit, and vegetables traveled great distances to appear on dinner tables across Europe, and Klemettillä takes us into the medieval kitchens of Western Europe and Scandinavia to describe the methods and utensils used to prepare and preserve this well-traveled food. The Medieval Kitchen also contains more than sixty original recipes for enticing fare like roasted veal paupiettes with bacon and herbs, rose pudding, and spiced wine. Evoking the dining rooms and kitchens of Europe some six hundred years ago, The Medieval Kitchen will tempt anyone with a taste for the food, customs, and folklore of times long past.

First full-length study of Pope Gregory X in relation to Crusade, demonstrating his significant impact.

The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.

From the vantage point of nearly sixty years devoted to research and the writing of history, J. H. Elliott steps back from his work to consider the progress of historical scholarship. From his own experiences as a historian of Spain, Europe, and the Americas, he provides a deft and sharp analysis of the work that historians do and how the field has changed since the 1950s.The author begins by explaining the roots of his interest in Spain and its past, then analyzes the challenges of writing the history of a country other than one's own. In succeeding chapters he offers acute observations on such topics as the history of national and imperial decline, political history, biography, and art and cultural history. Elliott concludes with an assessment of changes in the approach to history over the past half-century, including the impact of digital technology, and argues that a comprehensive vision of the past remains essential. Professional historians, students of history, and those who read history for pleasure will find in Elliott's delightful book a new appreciation of what goes into the shaping of historical works and how those works in turn can shape the world of thought and action.