For centuries, doctors have used a variety of symbols and metaphors to communicate complex medical concepts to their patients. In this intriguing volume, Dr. Sozinskey explores the history and meaning behind these symbols and reveals the fascinating connections between medicine, art, and culture. With its engaging prose and richly-illustrated pages, this book is a must-read for anyone interested in the intersection of medicine and the humanities. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Medical Symbolism in Connection With Historical Studies in the Arts of Healing and Hygiene About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Originally published in 1859. This volume from the Cornell University Library's print collections was scanned on an APT BookScan and converted to JPG 2000 format by Kirtas Technologies. All titles scanned cover to cover and pages may include marks, notations and other marginalia present in the original volume.

The Caduceus, two entwined snakes set upon a rod, was the ancient symbol of Hermes, the Greek god of merchants. Today, it is a common and popular symbol of the medical and allied professions. This book traces the use of the caduceus symbol and answers the question of how it came to be the symbol of medicine. The work begins with a discussion of the symbol's origin as the magic wand of Hermes/Mercury, the Greco-Roman messenger of the gods, and the later identification of Hermes with the Egyptian god Thoth, whose characteristics included wisdom and eloquence. In the 16th and 17th centuries, Friedlander says, the caduceus was associated with wise and eloquent individuals, including some physicians. However, in the early 19th century it was adopted by a medical publisher as a sign, not that he published medical books, but that he was a commercial deliverer of information. Friedlander goes on to indicate that in 1902 the sign was adopted by the U.S. Army as the insignia of its Medical Department. The sign became widely recognized after the exposure it had during World War I. It became frequently used and, once popular, bred popularity. This book will be of interest to those in medical fields, medical historians, and those interested in symbology and iconology.

This Book marks a time period (1870s-1940s) when Mexican authors writing in English saw themselves as transnational authors whose role was to teach the English speaking public about Mexico. This book takes a look at four inspiring women whose ideas represent the way medicine and science permeated the personal lives of Mexican and Indigenous peoples whose lifestyles did not happen to meet the requirements of an industrialized or modern citizenry. These women include historical figures such as the folkloric healer, Teresa Urrea (1873-1906), and authors, Maria Amparo Ruiz de Burton (1872), Maria Cristina Mena (1914), and Josefina Niggli (1947). These women writers focused on the modernist construction of the body and brought in aspects of how the soul (through racial, gendered, national, political, and socio-economic lenses) was reconstructed as a way to manage the health and space of the Mexican/Indigenous populations in order to move into an era of industrialism and positivism. By focusing on how industrialism led to the negation of racialized bodies, knowledges, and spaces, this book takes a deeper look at the concept of the “individual” as a medical, economic, political, and theoretical term, focusing on the way medical knowledge, the doctor, surgery, experimentation, healing, and specifically, the soul, is treated in Latina modernist literature. This book adds to the modernist discussions of literary figures such as Bernard Shaw, T.S. Eliot, D.H. Lawrence, William Carlos Williams, Frida Kahlo, Ezra Pound, and Gertrude Stein. Urrea, Ruiz de Burton, Mena, and Niggli continue the critique of a burgeoning medical system and rhetoric, and they add the Mexican/Indigenous viewpoint and transnational perspective that is important to any dialogue.