Media Unmade presents the definitive story of the decade in which big media in Australia was cut down to size – a decade that forever altered what had until then been perceived as the unbreachable foundations of the industry in this country. Drawing on insights from his ringside seat, independent journalist, commentator and Mumbrella founder Tim Burrowes knits together the big events and conversations with key players then and now to reveal the drama and tell the stories behind the changes that every consumer of Australian media has witnessed over the past decade. In this unprecedented account, Tim considers how the newspaper rivers of gold evaporated, TV viewers turned to Netflix, and radio listeners started streaming instead. He covers how networks went broke, the ABC came under sustained attack, and how News Corporation's phone hacking drama in the UK delivered Rupert Murdoch to the most humble day of his life. Of course there is no drama without people and as much as Media Unmade is the tale of the fluctuating fortunes of some of the country's best-known companies, it also presents the compelling stories of the powerful personalities who have shaped them – from the Murdochs, to Antony Catalano and Greg Hywood, to Kim Williams and James Packer, Gina Rinehart, Alan Jones, Michelle Guthrie, Justin Milne and Kerry Stokes. Against the existential threat embodied by Google and Facebook, Australia's media companies remade their broken business models and plotted takeovers in a battle for survival. And just when the worst seemed to be over, COVID-19 delivered the biggest advertising recession of all time, pushing every media company to the brink.

How much should a man speak? -- Sex and money and dreams and children and power -- Where the numbers come from -- Acknowledgements

Mead’s fifth collection candidly and openly explores the long process that is death. These resonant poems discover what it means to live, die, and come home again. We’re drawn in by sorrow and grief, but also the joys of celebrating a long life and how simple it is to find laughter and light in the quietest and darkest of moments.

New York Times bestselling author Sarah Rees Brennan brings the Lynburn Legacy—her modern, magical twist on the Gothic romance and girl-detective genres—to a surprising and satisfying conclusion. Perfect for fans of the Beautiful Creatures and the Mortal Instruments series. Who will be the sacrifice? Kami is linked to two boys. One through a strong magical bond, and the other through unforgettable love. With Jared missing for months and presumed dead, Kami must rely on her link with Ash for the strength to face the evil spreading through her town. Working with her friends, Kami uncovers a secret that might be the key to saving the town. But with knowledge comes responsibility—and a painful choice. A choice that will risk not only Kami’s life, but also the lives of those she loves most. As coauthor with Cassandra Clare of the bestselling Bane Chronicles, Sarah Rees Brennan has mastered the art of the page-turner. A strong example of diversity in YA, the Lynburn Legacy not only introduces Kami Glass, a half-Japanese teen, but also includes an LGBTQ romance as one of the subplots. “A sparkling fantasy that will make you laugh and break your heart.” —Cassandra Clare, New York Times bestselling author “A darkly funny, deliciously thrilling Gothic.” —Kelley Armstrong, New York Times bestselling author “Readers will laugh, shiver, and maybe even swoon over this modern Gothic novel.” —Melissa Marr, New York Times bestselling author “Breathtaking—a compulsive, rocketing read.” —Tamora Pierce, New York Times bestselling author “Captures the reader with true magic.”—Esther Friesner, author of Deception’s Princess “A laugh-out-loud delight.” —Publishers Weekly

“In his searing new book . . . Engelhardt has composed a requiem for a nation turned upside down by the relentless pursuit of global power” (Karen J. Greenberg, author of Rogue Justice: The Making of the Security State). As veteran author Tom Engelhardt argues, despite having a more massive, technologically advanced, and better-funded military than any other power on the planet, in the last decade and a half of constant war across the greater Middle East and parts of Africa, the United States has won nothing. Its unending wars, in fact, have only contributed to a world growing more chaotic by the second. “The violence, destruction, and suffering resulting from the imperial arrogance of Bush, Cheney, and cohorts have proceeded on their shocking course while most Americans, Tom Engelhardt writes, were ‘only half paying attention.’ Regular readers of his incisive, lucid, and brutally informative columns could not fail to pay attention and to be appalled at what was revealed. Their impact is all the more forceful in this collection, which casts a brilliant and horrifying light on a sordid chapter of history, far from closed.” —Noam Chomsky, leading public intellectual and author of Hopes and Prospects “No one has had a keener eye for American militarism, hypocrisy, and flat-out folly than Tom Engelhardt.” —John W. Dower, Pulitzer Prize–winning author of Ways of Forgetting, Ways of Remembering “The mainstream media call it the ‘Age of Trump.’ Tom Engelhardt knows better: It’s the ‘Era of America Unhinged.’ This new collection of essays gives us Engelhardt at his very best: incisive, impassioned, and funny even, in a time of great darkness.” —Andrew J. Bacevich, New York Times–bestselling author “Tom Engelhardt is a tireless analyst of the miseries of American Empire . . . [an] indispensable book.” —Juan Cole, professor of history at the University of Michigan

Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale killings in the Pacific Northwest serve to represent and negotiate time.

In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was "full of heroes," a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.