This carefully crafted ebook: "MECCANIA THE SUPER-STATE (Dark Dystopia)” is formatted for your eReader with a functional and detailed table of contents. "Meccania the Super-State” (1918) - Set in future 1970: a young Chinese traveller named Ming Yuen-hwuy enters Meccania for a five-month stay. Ming's diary and notes describe his dreary and dehumanizing sojourn in a country where the militaristic government dominates social life. "Meccania" is a nation in Central Europe with obvious resemblances to Germany and surrounded by "Franconia" (France), "Luniland" (Britain), and "Lugrabia" (Russia). Here dissenters are sent to mental hospitals and concentration camps. The state maintains a eugenic breeding program, and commands its common citizens when to have children. All letters are censored, and all telephone conversations are monitored. All citizens wear the uniforms of their occupational classes and the works are not allowed to feel fatigued! A chilling reminder of what might have been if Nazis had won the War… Owen Gregory – Nothing is known about the author of this dystopian classic and most critics believed that it was a ruse to hide the true identity of the original "anonymous” author.

This unique collection of "DYSTOPIA Boxed Set: 18 Dystopian Classics in One Edition" has been designed and formatted to the highest digital standards. Contents: 1984 (George Orwell) Brave New World (Aldous Huxley) It Can't Happen Here (Sinclair Lewis) That Hideous Strength (C. S. Lewis) Iron Heel (Jack London) We (Yevgeny Zamyatin) Meccania the Super-State (Owen Gregory) Lord of the World (Hugh Benson) When The Sleeper Wakes (H. G. Wells) The Time Machine (H. G. Wells) The First Men in the Moon (H. G. Wells) Caesar's Column (Ignatius Donnelly) The Secret of the League (Ernest Bramah) City of Endless Night (Milo Hastings) Looking Further Backward (Arthur Dudley Vinton) The Heads of Cerberus (Francis Stevens) The Fixed Period (Anthony Trollope) Animal Farm (George Orwell)

This eBook edition of "We (A Dystopia)" has been formatted to the highest digital standards and adjusted for readability on all devices. We is a dystopian novel which is set in a dystopian future police state. D-503 lives in the One State, an urban nation constructed almost entirely of glass, which allows the secret police/spies to inform on and supervise the public more easily. The structure of the state is analogous to the prison design concept developed by Jeremy Bentham commonly referred to as the Panopticon. Furthermore, life is organized to promote maximum productive efficiency along the lines of the system advocated by the hugely influential F. W. Taylor. People march in step with each other and wear identical clothing. There is no way of referring to people save by their given numbers. Males have odd numbers prefixed by consonants; females have even numbers prefixed by vowels. Along with Jack London's The Iron Heel, We is generally considered to be the grandfather of the satirical futuristic dystopia genre. Yevgeny Zamyatin (1884-1937) was a Russian author of science fiction and political satire. Due to his use of literature to criticize Soviet society, Zamyatin has been referred to as one of the first Soviet dissidents.

This eBook edition of "We" has been formatted to the highest digital standards and adjusted for readability on all devices. "We" is a dystopian novel which is set in a dystopian future police state. D-503 lives in the One State, an urban nation constructed almost entirely of glass, which allows the secret police/spies to inform on and supervise the public more easily. The structure of the state is analogous to the prison design concept developed by Jeremy Bentham commonly referred to as the Panopticon. Furthermore, life is organized to promote maximum productive efficiency along the lines of the system advocated by the hugely influential F. W. Taylor. People march in step with each other and wear identical clothing. There is no way of referring to people save by their given numbers. Males have odd numbers prefixed by consonants; females have even numbers prefixed by vowels. Along with Jack London's The Iron Heel, We is generally considered to be the grandfather of the satirical futuristic dystopia genre. Yevgeny Zamyatin (1884-1937) was a Russian author of science fiction and political satire. Due to his use of literature to criticize Soviet society, Zamyatin has been referred to as one of the first Soviet dissidents.

We is a dystopian novel which is set in a dystopian future police state. D-503 lives in the One State, an urban nation constructed almost entirely of glass, which allows the secret police/spies to inform on and supervise the public more easily. The structure of the state is analogous to the prison design concept developed by Jeremy Bentham commonly referred to as the Panopticon. Furthermore, life is organized to promote maximum productive efficiency along the lines of the system advocated by the hugely influential F. W. Taylor. People march in step with each other and wear identical clothing. There is no way of referring to people save by their given numbers. Males have odd numbers prefixed by consonants; females have even numbers prefixed by vowels. Along with Jack London's The Iron Heel, We is generally considered to be the grandfather of the satirical futuristic dystopia genre. Yevgeny Zamyatin (1884-1937) was a Russian author of science fiction and political satire. Due to his use of literature to criticize Soviet society, Zamyatin has been referred to as one of the first Soviet dissidents.

This carefully crafted ebook: "We (A Dystopian Science Fiction Classic) - The Original 1924 Unabridged Edition" is formatted for your eReader with a functional and detailed table of contents. We is a dystopian novel which is set in a dystopian future police state. D-503 lives in the One State, an urban nation constructed almost entirely of glass, which allows the secret police/spies to inform on and supervise the public more easily. The structure of the state is analogous to the prison design concept developed by Jeremy Bentham commonly referred to as the Panopticon. Furthermore, life is organized to promote maximum productive efficiency along the lines of the system advocated by the hugely influential F. W. Taylor. People march in step with each other and wear identical clothing. There is no way of referring to people save by their given numbers. Males have odd numbers prefixed by consonants; females have even numbers prefixed by vowels. Along with Jack London's The Iron Heel, We is generally considered to be the grandfather of the satirical futuristic dystopia genre. Yevgeny Zamyatin (1884-1937) was a Russian author of science fiction and political satire. Due to his use of literature to criticize Soviet society, Zamyatin has been referred to as one of the first Soviet dissidents.

Within the pages of 'The Future of Darkness: 30+ Dystopias in One Edition,' readers are invited to explore the complex tapestry of dystopian visions that have captivated the literary imagination over centuries. This anthology unearths the fertile ground between the shadows of dystopia, bringing forth a rich diversity of stylesfrom the gothic horror of Edgar Allan Poe to the poignant social criticism of E.M. Forster. The collection not only illuminates the multifaceted nature of dystopian writing but also serves as a cornerstone for understanding the historical and societal anxieties that these narratives stem from. Each piece, whether it delves into the fears of technological advancement or the decay of social order, stands out for its ability to engage with timeless questions about humanity, power, and the future. The contributors to this anthology comprise a veritable who's who of literary talent, each bringing their unique perspective to the dystopian genre. From the dark enchantments of Mary Shelley, regarded as the mother of science fiction, to the critical insights of H.G. Wells and the philosophical depths of Ayn Rand, these authors' backgrounds are as diverse as their writing. The collection captures a wide array of cultural and historical contexts, illustrating the dystopian genre's evolution and its reflection of societal concerns, from industrial revolution anxieties to Cold War fears. This convergence of voices not only enriches the anthology's thematic fabric but also highlights the ongoing relevance of dystopian narratives in grappling with the complex realities of human existence. 'Reading "The Future of Darkness: 30+ Dystopias in One Edition" is an immersive journey through the landscapes of fear and hope that have shaped human storytelling. This anthology is an indispensable resource for any reader interested in the literary mechanisms of dystopia, offering a panoramic view of its development and an intimate look at the concerns that have perennially haunted the human psyche. It encourages a deep dive into a genre that reflects our darkest apprehensions and our most fervent desires for change, making it a must-read for anyone fascinated by the power of literature to mirror, critique, and perhaps alter the trajectory of our collective future.