Deputy coroner Clay Edison goes to extreme lengths for a forgotten Jane Doe in the new thriller from a father-son team of bestselling authors who write “brilliant, page-turning fiction” (Stephen King). “As for the keen sense of drama, it must be a genetic trait. . . . The Kellermans show compassion for the survivors, including conscientious officials like Edison.”—The New York Times Book Review Former star basketball player Clay Edison is busy. He’s solved a decades-old crime and redeemed an innocent man, earning himself a suspension in the process. Things are getting serious with his girlfriend. Plus his brother’s fresh out of prison, bringing with him a whole new set of complications. Then the phone rings in the dead of night. A wild party in a gentrifying East Bay neighborhood. A heated argument that spills into the street. Gunshots. Chaos. For Clay and his fellow coroners, it’s the start of a long night and the first of many to come. The victims keep piling up. What begins as a community tragedy soon becomes lurid fodder for social media. Then the smoke clears and the real mystery emerges—one victim’s death doesn’t match the others. Brutalized and abandoned, stripped of ID, and left to die: She is Jane Doe, a human question mark. And it falls to Clay to give her a name and a voice. Haunted by the cruelty of her death, he embarks upon a journey into the bizarre, entering a hidden world where innocence and perversity meet and mingle. There, his relentless pursuit of the truth opens the gateway to a dark and baffling past—and brings him right into the line of fire. Praise for A Measure of Darkness “Edison is an interesting protagonist, a good man for whom finding the truth is more important than anything else, including his own safety. He’s gentle and strong, compassionate and ruthless, methodical and impulsive. A strong sequel to Crime Scene that will leave readers wanting to see more of Edison.”—Booklist

HERE ARE THE FACTS For the parents whose children have been taken, for the broken lives we piece back together one relentless investigation at a time, our town house is a sanctuary. My name is Alice Crane. I'm just one of a talented team working for Naomi Nantz, the brilliant and very private detective. Today that sanctuary was violated. The famous kid-finder Randall Shane was taken away by unknown assailants, possibly government agents. Shane's client is dead, and a boy known as "the keyboard kid" is missing. What is the boy's connection to a top secret physics lab? Unknown—for now. But under Naomi's lead, we will infiltrate every illicit boardroom and bedroom and war room. We'll find that little boy or die trying. The only thing guaranteed in this life is that Naomi Nantz won't give up. Not now, not ever. "Filled with page-turning suspense and intrigue that keeps you guessing to the end” —Rick Mofina, bestselling author of In Desperation "Jordan's full-throttle style makes this an emotionally rewarding thriller that moves like lightning." —Publishers Weekly on Taken

NEW YORK TIMES BESTSELLER • A former star athlete turned deputy coroner is drawn into a brutal, complicated murder in this psychological thriller from a father-son writing team that delivers “brilliant, page-turning fiction” (Stephen King). Natural causes or foul play? That’s the question Clay Edison must answer each time he examines a body. Figuring out motives and chasing down suspects aren’t part of his beat—not until a seemingly open-and-shut case proves to be more than meets his highly trained eye. Eccentric, reclusive Walter Rennert lies cold at the bottom of his stairs. At first glance the scene looks straightforward: a once-respected psychology professor, done in by booze and a bad heart. But his daughter Tatiana insists that her father has been murdered, and she persuades Clay to take a closer look at the grim facts of Rennert’s life. What emerges is a history of scandal and violence, and an experiment gone horribly wrong that ended in the brutal murder of a coed. Walter Rennert, it appears, was a broken man—and maybe a marked one. And when Clay learns that a colleague of Rennert’s died in a nearly identical manner, he begins to question everything in the official record. All the while, his relationship with Tatiana is evolving into something forbidden. The closer they grow, the more determined he becomes to catch her father’s killer—even if he has to overstep his bounds to do it. The twisting trail Clay follows will lead him into the darkest corners of the human soul. It’s his job to listen to the tales the dead tell. But this time, he’s part of a story that makes his blood run cold. Praise for Crime Scene “You could drive yourself crazy trying to figure out who wrote what. . . . But whoever came up with the fine line, ‘When I meet new people, they’re usually dead,’ should pat himself on the back.”—The New York Times Book Review “A terrific book . . . Put Crime Scene at the top of your reading pile.”—Bookreporter “A character-driven, intricately plotted whodunit . . . Mystery readers will devour the book and look forward to the next father and son collaboration.”—Press Republican

Alexander Maksik's electrifying novel tracks a woman's journey from the horrors of Charles Taylor's Liberia to abject poverty and self-exile on a Greek island, where she must grapple with a haunted past and find a way back into human society. On an island somewhere in the Aegean, Jacqueline, a young Liberian woman, veers between starvation and satiety, between the brutality of her past and the precarious uncertainty of her present in the aftermath of experiences so unspeakable that she prefers homeless numbness to the psychological confrontation she knows is inevitable. Hypnotic, highly sensual, exquisitely written, and extraordinary in its depiction of both pleasure and pain, of excruciating physical and spiritual hungers, A Marker to Measure Drift is a novel about memory, how we live with what we know, and whether and how we go forward, intact and whole, after the ravages of loss. It is beautiful, lacerating, impossible to put down. A breakthrough work from a prodigiously gifted young writer.

At eighty-two, Florida Scott-Maxwell felt impelled to write about her strong reactions to being old, and to the time in which we live. Until almost the end this document was not intended for anyone to see, but the author finally decided that she wanted her thoughts and feelings to reach others. Mrs. Scott-Maxwell writes: “I was astonished to find how intensely one lives in one’s eighties. The last years seemed a culmination and by concentrating on them one became more truly oneself. Though old, I felt full of potential life. It pulsed in me even as I was conscious of shrinking into a final form which it was my task and stimulus to complete.” The territory of the old is not Scott-Maxwell’s only concern. In taking the measure of the sum of her days as a woman of the twentieth century, she confronts some of the most disturbing conflicts of human nature—the need for differentiation as against equality, the recognition of the evil forces in our nature—and her insights are challenging and illuminating. The vision that emerges from her accumulated experience of life makes this a remarkable document that speaks to all ages.

Discusses the origins of standard units of measurement and how they have changed from ancient times to modern day, and describes systems of measurement, including the metric and Imperial systems and the Système International.