The first book-length analysis of the controversial Pan-Hispanic short story anthology “McOndo” (1996) draws on World Literature scholarship to take a step toward reclaiming the anthology’s artistic intentions and considering its generation-defining legacy in Latin American literary history.

“Full of revelations, surprises and shocks,” the fifth Leo Maxwell mystery pits the underdog defense attorney against an unforgiving prison gang (Bookreporter). Lachlan Smith’s Shamus Award–winning series continues with attorney-detective Leo Maxwell seeking an exit strategy from his family’s deepening entanglement with a ruthless prison-based gang. Caught between the criminals and the FBI, Leo charts his own path in defending a young woman who was manipulated into brazenly murdering a member of the Aryan Brotherhood in San Francisco’s Tenderloin neighborhood. When the consequences strike heartbreakingly close to home, Leo, his brother Teddy, and the rest of the family are forced into a winner-takes-all confrontation with men who don’t care how many innocents they harm in achieving their goals. As Leo’s world collapses, long-held secrets are revealed, transforming his perspective on the aftermath of the tragedy that derailed his childhood and fractured his family twenty-one years ago. The question then becomes who will get revenge first—the Maxwells or the sadistic gang leader who pursues them? “In its complexity, Wolf’s Revenge might remind a reader of a John le Carré novel; few are who they seem to be. Spies and double agents abound. This novel has action, some violence, but its real strengths are its intricacy and some rather dispiriting revelations about our criminal justice system.” —Tuscaloosa News “Operating at the top of his game, Smith is as good as anyone writing today at combining a mystery with the overlay of existential dread that noir fans relish.” —Publishers Weekly (starred review)

Intended for scholars, students, and researchers of film and Latin American studies, Chilean Cinema in the Twenty-First-Century World evaluates an active and emergent film movement that has yet to receive sufficient attention in global cinema studies.

Praise for the first edition: 'Accomplishes its task to provide readers with a broad multi-disciplinary view on globalization's many impacts on Latin America ... the organization of the collection is logical and thoughtful, and the structural perspectives offered are convincing and powerful. I recommend it to other Latin American social scientists.' Growth and Change 'An impressive, timely and lively volume, which is especially valuable for teaching purposes.' Journal of Latin American Studies 'Authoritatively written by leading scholars in their respective fields.' Area Latin America Transformed, 2nd Edition explains the region's economic, political, social and cultural transformations, its association with globalization and the search for modernity, and contributes to a greater understanding of how these transformations are affecting the people of Latin America. Using a political economy approach to unravel the concepts of globalization and modernity within Latin America, emphasis is placed on interpreting the macro-level structures that frame the transformations taking place. The book also investigates the dynamics of people's livelihoods as they make sense of, rework and live out these structural transformations. The international team of authors involved with the successful first edition have updated their focus and substantially rewritten their material to examine the challenges facing Latin America in the twenty-first century. Three completely new chapters have also been added. Latin America Transformed, 2nd Edition is now even more useful for undergraduate and postgraduate courses that examine economic, political, social and cultural change in Latin America.

Within the past ten years, the field of contemporary American literary studies has changed significantly. Following the turn of the twenty-first century and mounting doubts about the continued explanatory power of the category of “postmodernism,” new organizations have emerged, book series have been launched, journals have been created, and new methodologies, periodizations, and thematics have redefined the field. Postmodern/Postwar—and After aims to be a field-defining book—a sourcebook for the new and emerging critical terrain—that explores the postmodern/postwar period and what comes after. The first section of essays returns to the category of the “post-modern” and argues for the usefulness of key concepts and themes from postmodernism to the study of contemporary literature, or reevaluates postmodernism in light of recent developments in the field and historical and economic changes in the late twentieth and early twenty-first centuries. These essays take the contemporary abandonments of postmodernism as an occasion to assess the current states of postmodernity. After that, the essays move to address the critical shift away from postmodernism as a description of the present, and toward a new sense of postmodernism as just one category among many that scholars can use to describe the recent past. The final section looks forward and explores the question of what comes after the postwar/postmodern. Taken together, these essays from leading and emerging scholars on the state of twenty-first-century literary studies provide a number of frameworks for approaching contemporary literature as influenced by, yet distinct from, postmodernism. The result is an indispensable guide that seeks to represent and understand the major overhauling of postwar American literary studies that is currently underway.

On the Chilean Social Explosion uses the methods of literary, cultural, and subaltern studies to examine what cultural foundations and practices gave rise to this political uprising. On 18 October 2019, Chile exploded into a series of nationwide protests that placed the socio-political order of neoliberalism, settler colonialism, and patriarchy under structural crisis. In March 2020, however, the quarantining measures taken in response to the COVID-19 pandemic put this grassroots rebellion on pause. The author explores and analyzes these five months which have come to be known as the Chilean social explosion [estallido social]. This book will be of value to researchers of cultural studies, cultural and radical politics, resistance and protest, subaltern studies, and Chilean and Latin American politics. It will also interest a broader audience concerned with social movements, grassroots organizing, and expressions of dissent across the world.

Alien-Nation and Repatriation examines the emergence and transformations in representations of national identity in Anglophone Caribbean literary traditions. Beginning with the short fiction of C. L. R. James, Alfred Mendes, and Albert Gomes, this study examines the extent to which gender, migration, and female sexuality frame the earliest representations of Caribbean identity in literature by West Indian authors. The study develops chronologically to examine the works of George Lamming, Paule Marshall, Erna Brodber, M. Nourbese Philip, and Elizabeth Nunez. Alien-Nation and Repatriation emphasizes the processes of alienation that marginalize women from discourses of citizenship and belonging, both of which are integral aspects of nationalist literature. This text also argues that for Caribbean women writers engaged in discourses on citizenship, 'return' is not focused on reclaiming the nation-state. Instead Saunders argues that closer examinations of discourses on Caribbean identity reveal the ways in which the female body has been disciplined, through form and content, into silence in colonial and post-colonial Caribbean literary traditions.