MCM - Milano Capital of the Modern, edited by Lorenzo Degli Esposti, is made up of texts and images from over 300 contributors from Europe and the US, across three generations, involved in the activities of the Padiglione Architettura in EXPO Belle Arti of Vittorio Sgarbi, a programme by the Regione Lombardia hosted in the Grattacielo Pirelli during the EXPO 2015. They investigate the relationships between modern architecture, the city of Milan (Razionalismo, reconstruction, Tendenza, Radical Design, up to current research) and the city in general, between single and specific works and the large scale of the urban territory, in the contradictions between architecture autonomy and its dependence on specific place and historical time. The idea of MCM is that each capital of the Modern brings an original version of modernity in architecture: in the specific Milanese case, this kind of Modern is characterized by the simultaneous presence of abstract, systematic and syntactic features and an ontological conception of both buildings and architectural and urban voids.

Despite traditionally being a strong research topic in urban studies, inter-city relations had become grossly neglected until recently, when it was placed back on the research agenda with the advent of studies of world/global cities. More recently the ‘external relations’ of cities have taken their place alongside ‘internal relations’ within cities to constitute the full nature of cities. This collection of essays on how and why cities are connecting to each other in a globalizing world provides evidence for a new city-centered geography that is emerging in the twenty-first century. Cities in Globalization covers four key themes beginning with the different ways of measuring a ‘world city network’, ranging from analyses of corporate structures to airline passenger flows. Second is the recent European advances in studying ‘urban systems’ which are compared to the Anglo-American city networks approach. These chapters add conceptual vigour to traditional themes and provide findings on European cities in globalization. Thirdly the political implications of these new geographies of flows are considered in a variety of contexts: the localism of city planning, specialist ‘political world cities’, and the ‘war on terror’. Finally, there are a series of chapters that critically review the state of our knowledge on contemporary relations between cities in globalization. Cities in Globalization provides an up-to-date assembly of leading American and European researchers reporting their ideas on the critical issue of how cities are faring in contemporary globalization and is highly illustrated throughout with over forty figures and tables.

Modern architecture articulated itself in specific centers of propulsion, revision and critique during the 20th century. The case of Milan is exemplary: Terragni and Razionalismo, the reconstruction (Ponti, Rogers, Moretti, Viganò, etc.), the Tendenza of Rossi, product design, up to the current research. MCM traces this history from several contributors' points of view.

The Retail Market Study 2016 of The Location Group is the one and only study of its kind. With 155 of the most notable international cities of the fashion and retail world on more than 1,000 pages. Over 1,300 retailers, 1,030 shopping streets and 550 shopping malls were analyzed. So far the study reached more than 300,000 readers worldwide.

Reading Shakespeare through Philosophy advocates that the beauty of Shakespearean drama is inseparable from its philosophical power. Shakespeare’s plays make demands on us even beyond our linguistic attention and historical empathy: they require thinking, and the concepts of philosophy can provide us with tools to aid us in that thinking. This volume examines how philosophy can help us to re-imagine Shakespeare’s treatment of individuality, character, and destiny, particularly at certain moments in a play when a character’s relationship to space or time becomes an enigma to us. The author focuses on the dramatization of seemingly magical relationships between the individual and the cosmos, exploring and rethinking the meanings of 'individual', 'cosmos' and 'magic' through a conceptually acute reading of Shakespeare's plays. This book draws upon a variety of thinkers including Plato, Aristotle, Leibniz and Kant, in search of a revitalized philosophical criticism of Julius Caesar, Love’s Labor’s Lost, The Merchant of Venice, Timon of Athens, and Twelfth Night.