Satchel Paige was forty-two years old in 1948 when he became the first black pitcher in the American League. Although the oldest rookie around, he was already a legend. For twenty-two years, beginning in 1926, Paige dazzled throngs with his performance in the Negro Baseball Leagues. Then he outlasted everyone by playing professional baseball, in and out of the majors, until 1965. Struggle—against early poverty and racial discrimination—was part of Paige's story. So was fast living and a humorous point of view. His immortal advice was "Don't look back. Something might be gaining on you."

Some say Satchel Paige was the greatest pitcher ever—and and certainly his dazzling record of perhaps as many as 2,000 wins, first in the Negro Leagues and then in the integrated major leagues, ranks as one of the most remarkable athletic feats of the century. He also became famous for the advice he freely offered others, including the now legendary "Don't look back, something might be gaining on you." Mark Ribowsky gives the best picture yet of life in the Negro Leagues as he brings to life a man whose act as a lovable eccentric with a golden arm masked a decidedly darker side as womanizer, hard drinker, and contract jumper always on the lookout for number one.

"How Satchel Paige spent one season playing for the dictator Rafael Trujillo's team in the Dominican Republic"--

The Negro baseball leagues were a thriving sporting and cultural institution for African Americans from their founding in 1920 until Jackie Robinson broke the color barrier in 1947. Rogosin's narrative pulls the veil off these "invisible men" and gives us a glorious chapter in American history.

Selected as one of baseball literature's Golden Dozen by Roger Kahn, Man on Spikes is an uncompromisingly realistic novel about a baseball player who struggles through sixteen years of personal crises and professional ordeals before finally appearing in a major league game. In a preface to this new edition, Eliot Asinof reveals the longsuffering ballplayer and friend upon which the novel is based.

NEW YORK TIMES BESTSELLER • The superbly researched, spellbindingly told story of athlete, showman, philosopher, and boundary breaker Leroy “Satchel” Paige “Among the rare biographies of an athlete that transcend sports . . . gives us the man as well as the myth.”—The Boston Globe Few reliable records or news reports survive about players in the Negro Leagues. Through dogged detective work, award-winning author and journalist Larry Tye has tracked down the truth about this majestic and enigmatic pitcher, interviewing more than two hundred Negro Leaguers and Major Leaguers, talking to family and friends who had never told their stories before, and retracing Paige’s steps across the continent. Here is the stirring account of the child born to an Alabama washerwoman with twelve young mouths to feed, the boy who earned the nickname “Satchel” from his enterprising work as a railroad porter, the young man who took up baseball on the streets and in reform school, inventing his trademark hesitation pitch while throwing bricks at rival gang members. Tye shows Paige barnstorming across America and growing into the superstar hurler of the Negro Leagues, a marvel who set records so eye-popping they seemed like misprints, spent as much money as he made, and left tickets for “Mrs. Paige” that were picked up by a different woman at each game. In unprecedented detail, Tye reveals how Paige, hurt and angry when Jackie Robinson beat him to the Majors, emerged at the age of forty-two to help propel the Cleveland Indians to the World Series. He threw his last pitch from a big-league mound at an improbable fifty-nine. (“Age is a case of mind over matter,” he said. “If you don’t mind, it don’t matter.”) More than a fascinating account of a baseball odyssey, Satchel rewrites our history of the integration of the sport, with Satchel Paige in a starring role. This is a powerful portrait of an American hero who employed a shuffling stereotype to disarm critics and racists, floated comical legends about himself–including about his own age–to deflect inquiry and remain elusive, and in the process methodically built his own myth. “Don’t look back,” he famously said. “Something might be gaining on you.” Separating the truth from the legend, Satchel is a remarkable accomplishment, as large as this larger-than-life man.

If You Were Only White explores the legacy of one of the most exceptional athletes ever—an entertainer extraordinaire, a daring showman and crowd-pleaser, a wizard with a baseball whose artistry and antics on the mound brought fans out in the thousands to ballparks across the country. Leroy “Satchel” Paige was arguably one of the world’s greatest pitchers and a premier star of Negro Leagues Baseball. But in this biography Donald Spivey reveals Paige to have been much more than just a blazing fastball pitcher. Spivey follows Paige from his birth in Alabama in 1906 to his death in Kansas City in 1982, detailing the challenges Paige faced battling the color line in America and recounting his tests and triumphs in baseball. He also opens up Paige’s private life during and after his playing days, introducing readers to the man who extended his social, cultural, and political reach beyond the limitations associated with his humble background and upbringing. This other Paige was a gifted public speaker, a talented musician and singer, an excellent cook, and a passionate outdoorsman, among other things. Paige’s life intertwined with many of the most important issues of the times in U.S. and African American history, including the continuation of the New Negro Movement and the struggle for civil rights. Spivey incorporates interviews with former teammates conducted over twelve years, as well as exclusive interviews with Paige’s son Robert, daughter Pamela, Ted “Double Duty” Radcliffe, and John “Buck” O’Neil to tell the story of a pioneer who helped transform America through the nation’s favorite pastime. Maintaining an image somewhere between Joe Louis’s public humility and the flamboyant aggression of Jack Johnson, Paige pushed the boundaries of segregation and bridged the racial divide with stellar pitching packaged with slapstick humor. He entertained as he played to win and saw no contradiction in doing so. Game after game, his performance refuted the lie that black baseball was inferior to white baseball. His was a contribution to civil rights of a different kind—his speeches and demonstrations expressed through his performance on the mound.