An inspired and urgent prose retelling of the Maya myth of creation by acclaimed Latin American author and scholar Ilan Stavans, gorgeously illustrated by Salvadoran folk artist Gabriela Larios and introduced by renowned author, diplomat, and environmental activist Homero Aridjis. The archetypal creation story of Latin America, the Popol Vuh began as a Maya oral tradition millennia ago. In the mid-sixteenth century, as indigenous cultures across the continent were being threatened with destruction by European conquest and Christianity, it was written down in verse by members of the K’iche’ nobility in what is today Guatemala. In 1701, that text was translated into Spanish by a Dominican friar and ethnographer before vanishing mysteriously. Cosmic in scope and yet intimately human, the Popol Vuh offers invaluable insight into the Maya way of life before being decimated by colonization—their code of ethics, their views on death and the afterlife, and their devotion to passion, courage, and the natural world. It tells the story of how the world was created in a series of rehearsals that included wooden dummies, demi-gods, and eventually humans. It describes the underworld, Xibalba—a place as harrowing as Dante’s hell—and relates the legend of the ultimate king, who, in the face of tragedy, became a spirit that accompanies his people in their struggle for survival. Popol Vuh: A Retelling is a one-of-a-kind prose rendition of this sacred text that is as seminal as the Bible and the Qur’an, the Ramayana and the Odyssey. Award-winning scholar of Latin American literature Ilan Stavans brings a fresh creative energy to the Popol Vuh, giving a new generation of readers the opportunity to connect with this timeless story and with the plight of the indigenous people of the Americas. Praise for Popol Vuh: A Retelling: “Salvadoran illustrator Larios provides lush images to accompany stories of the Earth and the underworld, Xibalba, and the animals and gods that inhabit them…. A beautiful interpretation of pivotal Central American history told through contemporary illustration and language.” —Kirkus Reviews “In these pages you will find an adroit retelling of a complex and often confusing tale with a vast and bewildering cast of characters. Approaching the Popol Vuh with a fresh eye and the necessary erudition, Ilan Stavans, the distinguished scholar of Hispanic culture, nimbly conveys the content and the sense of the original, retaining its magic and fascination, while rendering it more accessible to a wider readership. Popol Vuh: A Retelling artfully presents the case for the centrality of this magisterial story to the cultural consciousness of the Americas and for the urgency of its message.” —Homero Aridjis, from the foreword "At a time when so many of us ask ourselves about the end of the world as we know it, few books could be more relevant than this sacred text of the Maya. In a mesmerizing, illuminating new translation, Ilan Stavans brings to contemporary readers this lyrical epic, with its messages from a lost civilization obsessed, as ours should be, with the inevitable cycles of catastrophe and change. The Popol Vuh encourages us to contemplate the perpetual conflict between truth and falsehood, light and darkness, so that we may find the wisdom to emerge as better people." —Ariel Dorfman, author of Death and the Maiden "Popol Vuh is one of the seminal foundational 'texts' of the Americas before it became 'America'—and one so few of us really know much about. Again, Ilan Stavans is infusing the US of A with the cultures and stories that have been traditionally erased or ignored and forgotten. All I can say is, another amazing Stavans project!" —Julia Alvarez "The Popol Vuh is the great book of creation of the Maya K'iche' culture, and Ilan Stavans has embarked on an intrepid adventure of recreation; he returns to a myth of origin to endow it with vibrant topicality, proving that rewriting a legend is a way of bewitching time." —Juan Villoro, author of God Is Round “Many translators, scholars, and poets have brought us close to the radiant eminence of our Mayan origin story, the Popol Vuh. None touch its wondrous dynamism and epic elegance like Stavans and Larios. Free of the formal constraints of the K’iche’ original, Stavans’s delivers a masterful retelling that invites us into chimeric dreams: from the mischievous first peoples and the quests of those grown from seeds, to hybrid creatures and demi-god twins with battles lost and won. Larios’s dexterous admixture of cool washes and vibrant color palettes along with a K’iche’-inspired line-work aesthetic, further unzip our minds to a shared ancestral imaginary. Only my Guatemalan abuelita could cast such storytelling spells over me. Together, Stavans and Larios invite us all to dance as the children we once were and will become. A gift!” —Frederick Luis Aldama, author of Long Stories Cut Short: Fiction from the Borderlands “Ilan Stavans's retelling of this ancient and sacred story of the Mayan people is as exquisitely written as it is necessary.” —Eduardo Halfon, author of Mourning Praise for Ilan Stavans: “Ilan Stavans is an inventive interpreter of the contemporary cultures of the Americas…. Cantankerous and clever, sprightly and serious, Stavans is a voracious thinker. In his writing, life serves to illuminate literature—and vice versa: he is unafraid to court controversy, unsettle opinions, make enemies. In short, Stavans is an old-fashioned intellectual, a brilliant interpreter of his triple heritage—Jewish, Mexican, and American.” —Henry Louis Gates, Jr. “…in the void created by the death of his compatriot Octavio Paz, Ilan Stavans has emerged as Latin America’s liveliest and boldest critic and most innovative cultural enthusiast.” —The Washington Post “Ilan Stavans has done as much as anyone alive to bridge the hemisphere’s linguistic gaps.” —The Miami Herald “A canon-maker.” —The Chronicle of Higher Education “Ilan Stavans is a maverick intellectual whose canonical work has already produced a whole array of marvels... His incisive essays are redefining Jewish literature.” —The Forward “Ilan Stavans is the rarest of North American writers—he sees the Americas whole. Not since Octavio Paz has Mexico given us an intellectual so able to violate borders, with learning and grace.” —Richard Rodriguez “In the multicultural rainbow that is contemporary America, no one may be more representative of the state of the union than Ilan Stavans.” —Newsday “Ilan Stavans may very well succeed in becoming the Octavio Paz of our age.” —The San Francisco Chronicle “A virtuoso critic with an exuberant, encyclopedic, restless mind.” —The Forward “Ilan Stavans has the sharp eye of the internal exile. Writing about the sometimes reluctant reconquista of North America by Spanish-speaking cultures or the development of his own identity, he deals with both the life of the mind and the life of the streets.” —John Sayles “Lively and intelligent, eclectic, sharp-tongued.” —Peter Matthiessen “I think Stavans has one of the best grips around on what makes Spanish America tick.” —Gregory Rabassa “Ilan Stavans is a disciple of Kafka and Borges. He accepts social identity broadly, in the most cosmopolitan terms… His impulse is to broaden, not to narrow; he finds understanding through complication of identity, not through the easy gestures of ethnic politics.” —The New York Times “Ilan Stavans has established himself as an invaluable commentator of literature.” —Phillip Lopate

Learn the unbelievable true history of the great warrior tribes of Mexico. More than thirteen centuries of incredible spellbinding history are detailed in this intriguing study of the rulers and warriors of Mexico. Dozens of these charismatic leaders of nations and armies are brought to life by the deep research and entertaining storytelling of Peter Tsouras. Tsouras introduces the reader to the colossal personalities of the period: Smoking Frog, the Mexican Machiavelli, the Poet Warlord, the Lion of Anahuac, and others . . . all of them warlords who shaped one of the most significant regions in world history, men who influenced the civilization of half a continent. The warlords of Mexico, for all their fascinating lives and momentous acts, have been largely ignored by writers and historians, but here that disappointing record is put right by a range of detailed biographies that entertain as they inform. Students of the area, historians working in American history, and long-term visitors and tourists to the region will gain a much clearer understanding of the background history of these territories and the men who formed and reformed them. Lavishly illustrated with dozens of photographs and color paintings, Warlords of Ancient Mexico is essential reading for anyone interested in this tumultuous, endlessly captivating period of Central American history. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

"Social history that challenges earlier views of the Caste War. Examines the development of the social, political, and economic structure of the Yucatâan during the first half of the 19th century and profiles four towns involved in the Caste War. Emphasizes the eroding status of Maya elites as a key to the revolt"--Handbook of Latin American Studies, v. 58.

"Yucatán, an impoverished state in southern Mexico, has recently emerged as a significant source of US-bound migrants. Why did this state's indigenous population wait so long to enter the migration stream, and how do their experiences differ from those of earlier more traditional migrants? Mayan Journeys explores how internal migration to southern Mexico's tourist resorts serves as a springboard for international migration and how the new migrants navigate enhanced obstacles at the US-Mexico border and enter the US labor force. Drawing on an extensive 2006 survey of migrants and potential migrants in Tunkás, Yucatán, and its satellite communities in Southern California, the authors provide new evidence of the failure of US border enforcement to deter undocumented migration from Mexico"--Publisher's description.

The Maya Indian peoples of Chiapas had been mobilizing politically for years before the Zapatista rebellion that brought them to international attention. This authoritative volume explores the different ways that Indians across Chiapas have carved out autonomous cultural and political spaces in their diverse communities and regions. Offering a consistent and cohesive vision of the complex evolution of a region and its many cultures and histories, this work is a fundamental source for understanding key issues in nation building. In a unique collaboration, the book brings together recognized authorities who have worked in Chiapas for decades, many linking scholarship with social and political activism. Their combined perspectives, many previously unavailable in English, make this volume the most authoritative, richly detailed, and authentic work available on the people behind the Zapatista movement.

This book explores the origins, process, and consequences of forty years of nearly continual political violence in southeastern Mexico. Rather than recounting the well-worn narrative of the Caste War, it focuses instead on how four decades of violence helped shape social and political institutions of the Mexican southeast. Rebellion Now and Forever looks at Yucatán's famous Caste War from the perspective of the vast majority of Hispanics and Maya peasants who did not join in the great ethnic rebellion of 1847. It shows how the history of nonrebel territory was as dramatic and as violent as the front lines of the Caste War, and of greater significance for the larger evolution of Mexican society. The work explores political violence not merely as a method and process, but also as a molder of subsequent institutions and practices.