Amber Sparks's dramatic debut collection of short stories named best small press debut of 2012 by the Atlantic Wire.

A Washington Post Best Science Fiction & Fantasy of the Year Selection One of Electric Literature’s Best Short Story Collections of the Year A highly anticipated collection of wildly imaginative short stories from “one of contemporary fiction’s true mad scientists” (Necessary Fiction). In the weird and wonderful tradition of Kelly Link and Karen Russell, Amber Sparks’s dazzling new collection bursts forth with stories that render the apocalyptic and otherworldly hauntingly familiar. In “The Cemetery for Lost Faces,” two orphans translate their grief into taxidermy, artfully arresting the passage of time. The anchoring novella, “The Unfinished World,” unfurls a surprising love story between a free and adventurous young woman and a dashing filmmaker burdened by a mysterious family. Sparks’s stories—populated with sculptors, librarians, astronauts, and warriors—form a veritable cabinet of curiosities. Mythical, bizarre, and deeply moving, The Unfinished World and Other Stories heralds the arrival of a major writer and illuminates the search for a brief encounter with the extraordinary.

Amber Sparks holds her crown in the canon of the weird with this fantastical collection of “eye-popping range” (John Domini, Washington Post). Boldly blending fables and myths with apocalyptic technologies, Amber Sparks has built a cultlike following with And I Do Not Forgive You. Fueled by feminism in all its colors, her surreal worlds—like Kelly Link’s and Karen Russell’s—are all-too-real. In “Mildly Happy, With Moments of Joy,” a friend is ghosted by a text message; in “Everyone’s a Winner at Meadow Park,” a teen coming-of-age in a trailer park befriends an actual ghost. Rife with “sharp wit, and an abiding tenderness” (Ilana Masad, NPR), these stories shine an interrogating light on the adage that “history likes to lie about women,” as the subjects of “You Won’t Believe What Really Happened to the Sabine Women” will attest. Written in prose that both shimmers and stings, the result is “nothing short of a raging success, a volume that points to a potentially incandescent literary future” (Kurt Baumeister, The Brooklyn Rail).

Alienated from his fellow zombies because of his dislike of having to kill humans and his enjoyment of Sinatra music, "R" meets a living girl who sharply contrasts with his cold and dreary world and whom he resolves to protect in spite of her delicious appearance.

An oddly compelling, often hilarious forensic exploration of the strange lives of our bodies postmortem.

Melanie Stryder refuses to fade away. The earth has been invaded by a species that take over the minds of their human hosts while leaving their bodies intact, and most of humanity has succumbed. Wanderer, the invading "soul" who has been given Melanie's body, knew about the challenges of living inside a human: the overwhelming emotions, the too vivid memories. But there was one difficulty Wanderer didn't expect: the former tenant of her body refusing to relinquish possession of her mind. Melanie fills Wanderer's thoughts with visions of the man Melanie loves -- Jared, a human who still lives in hiding. Unable to separate herself from her body's desires, Wanderer yearns for a man she's never met. As outside forces make Wanderer and Melanie unwilling allies, they set off to search for the man they both love. Featuring what may be the first love triangle involving only two bodies, The Host is a riveting and unforgettable novel that will bring a vast new readership to one of the most compelling writers of our time.

This unique reference provides a primary source for osteologists and the medical/legal community for the understanding of burned bone remains in forensic or archaeological contexts. It describes in detail the changes in human bone and soft tissues as a body burns at both the chemical and gross levels and provides an overview of the current procedures in burned bone study. Case studies in forensic and archaeological settings aid those interested in the analysis of burned human bodies, from death scene investigators, to biological anthropologists looking at the recent or ancient dead. Includes the diagnostic patterning of color changes that give insight to the severity of burning, the positioning of the body, and presence (or absence) of soft tissues during the burning event Chapters on bones and teeth give step-by-step recommendations for how to study and recognize burned hard tissues