The adventure returns at death's doorstep! This is the third book in the Mausoleum series. The fantasy world of the Mausoleum awaits you. This is Mausoleum III: Lucifer's Vile Plot. There is a vile plot cooked up and served deathly hot by Satan himself. Why is Lucifer winning but at the same time getting weaker? The dark spoils of evil are directed at the very heart of the royals. It means certain death is around the corner for one or more of our heroes. Elixor and the army of demons she summons from the Lost Souls door slither back into the Mausoleum after being banished. Her foul curse is preventing the royals from gaining access, cutting them off from their heavenly Guardians when they need their help the most. The town turned against the royals and are hunting them like wild animals. The royals have been scattered and are in hiding. Traps have been laid to capture them. There is no escape! The dwarf island is under siege. Gritta, Prince, and the Silver are missing. The queen steals something very precious to Lucifer. It's a book that may turn the tide of the battle--and Lucifer wants it back! What's left of the royals and their allies will have to fight to the death to try to take back the Mausoleum. Who is this mysterious Time Keeper? How can he help? The ultimate battle is at hand! The royals have to engage in battle with Lucifer himself. Find out what happens in this third adventure. This exciting adventure story twists around and around like a roller coaster. But this ride ends with a real jolt. It's all in Mausoleum III: Lucifer's Vile Plot.

In the 19th century Hungary witnessed unprecedented social, economic and cultural development. The country became an equal partner within the Dual Monarchy when the Austro-Hungarian Compromise of 1867 was concluded. Architecture and all forms of design flourished as never before. A distinctly Central European taste emerged, in which the artistic presence of the German-speaking lands was augmented by the influence of France and England. As this process unfolded, attempts were made to find a uniquely Hungarian form, based on motifs borrowed from peasant art as well as real (or fictitious) historical antecedents. "Motherland and Progress" – the motto of 19th-century Hungarian reformers – reflected the programme embraced by the country in its drive to define its identity and shape its future.

Uncovers a connection between a Macedonian funerary sculpture found in the foundations of the Basilica di San Marco in Venice and the sarcophagus of an Egyptian Pharaoh shipped to London from Alexandria in 1801. Traces their trails to show that both seem to come from Alexander's tomb in Alexandria. Now it is revealed that the sculptural relief was fitted to the sarcophagus, confirming the theory. The author writes: "When I embarked upon the deck of this Odyssey, it seemed to me that shipwreck was my eventual destiny, but now beyond the raging, roiling sea, I have glimpsed the shore of verdant Valinor unveiled before me. Though I may yet come to grief upon some reef, washed by waves of disbelief, I voyage on to vindication, my vessel's ordained destination. With greatness grazing on the verge of rediscovery, we may surely see the resolution of this mystery. So let my sail now be unfurled to catch the wind and win the world Alexander's long-lost legacy, the parted parts of his shattered tomb and battered body."