This work accompanies an exhibition organised, in partnership, by Tate Modern, the Galeries Nationales du Grand Palais, and the Museum of Modern Art. It examines the crucial relationship between Matisse and Picasso.

A long-time companion of Picasso describes the artistic and personal friendship between two giants of twentieth-century art, capturing the affection, rivalry, and creative interaction of the two geniuses, along with examples of their works

From Cahiers d’Art, a monograph on one of the most ambitious collections of 20th-century art, and its complex, charismatic creator, Theodor Ahrenberg. Living with Matisse, Picasso, and Christo explores one of the most ambitious, and yet largely unknown, private collections of twentieth-century Western art, and its charismatic creator Theodor “Teto” Ahrenberg (1912–1989). Containing over 6,000 artworks acquired between the 1940s and late 1980s, Ahrenberg’s collection features key works by artists as distinguished and diverse as Pablo Picasso, Henri Matisse, Marc Chagall, Le Corbusier, Olle Bartling, Sam Francis, Öyvind Fahlström, Tadeusz Kantor, Lucio Fontana, Christo, Jean Tinguely, and Niki de Saint Phalle. Ahrenberg’s ever-evolving collection was shaped by his commitment to the changing notion of contemporary art, his dedication to young and marginalized artists, and a self- declared conviction that he was not merely a collector but one who facilitated exhibitions, collaborations, and commissions, and who employed art as an instrument against conservatism and complacency. Ahrenberg passionately believed in personally meeting those artists whose works he acquired, and he accordingly established rich, long-term friendships that transcended the conventional artist-collector dynamic.

Previously published: London: Fig Tree, [2014].

Published to accompany an exhibition held at the San Francisco Museum of Modern Art, May 21-Sept. 6, 2011, the Reunion des Musees Nationaux-Grand Palais, Paris, Oct. 3, 2011-Jan. 16, 2012, and the Metropolitan Museum of Art, New York, Feb. 21-June 3, 2012.

"As Joachim Pissarro points out in the foreword of this volume, Matisse and Picasso's dense plot and rich narrative make this work read more like a suspense novel than a traditional art history treatise. Bois' thoroughly researched historical demonstration is supported by striking visual juxtapositions of works by the two artists brought together here for the first time, making this long-awaited study a major contribution to the history of twentieth-century art."--Jacket.

Matisse and Picasso achieved extraordinary prominence during their lifetimes. They have become cultural icons, standing not only for different kinds of art but also for different ways of living. Matisse, known for his restraint and intense sense of privacy, for his decorum and discretion, created an art that transcended daily life and conveyed a sensuality that inhabited an abstract and ethereal realm of being. In contrast, Picasso became the exemplar of intense emotionality, of theatricality, of art as a kind of autobiographical confession that was often charged with violence and explosive eroticism. In Matisse and Picasso , Jack Flam explores the compelling, competitive, parallel lives of these two artists and their very different attitudes toward the idea of artistic greatness, toward the women they loved, and ultimately toward their confrontations with death.