Tragedy strikes on the opening night of the Fall Crafters Fair when a woman is killed in the parking lot of Daisy's Quilt Shop, and the only material witness is one of Melinda Byer's boys. The investigation takes a more bizarre turn when detective Shane Black becomes convinced the killer was actually after Callie. This time it's a madman loose in the largest crowd of the year, and he's looking for something or someone. If they can't figure out what, one of Deborah and Callie's close circle of friends may be next. Masked identities, antique quilts with hidden messages, an Amish boy whose handicap makes him stronger, one brave dog, and a possible hidden treasure ... this time it's nonstop action, danger, and a dash of romance.

Material Mystery considers three apparently anthropocentric myths that are central to Abrahamic religions—those of the primal human, the incarnated and possibly divine redeemer, and the resurrected body. At first glance, these stories reinforce a human-centered theology and point to a very anthropomorphic God. Taking them seriously seems to ignore the material turn in the humanities entirely, with the same sort of willful ignorance that some of our politicians show in declaring that their myths count as facts, or that the point of the rest of the world is to further human consumption. But it is possible, Karmen MacKendrick shows, to read these figures through a particular tradition that emerges from the Hebrew Bible, the tradition of Wisdom as a creative force. Wisdom texts are common across the ancient Near East. As the idea of creative Wisdom develops from antiquity into the middle ages, it gathers philosophical influences from a range of philosophical traditions. This exuberantly promiscuous impurity—intellectual, artistic, and theological—generates new interpretive possibilities. In these interpretations, each human-like figure opens up onto the world''s matter, as an interdependent part of it, and matter is thoroughly mixed with divinity. Such mythic readings complement our factual, scientific understanding of the material world, to engage wider kinds of knowing and affective attention—particularly Wisdom''s combination of care and delight.

Stand-up comic Biff Kincaid puts his career and his life on the line when he sets out to discover the mystery behind Ned Lando, a lackluster performer who steals material from other comics yet has the money to rent a Los Angeles theater and fill it with a paid audience for his professional debut.

Enjoy this crafty, cozy small-town series starter by national bestselling author Diane Vallere… Unraveling family secrets can be murder... When Polyester Monroe was young, she loved playing in her family's textile store. But after a fatal tragedy, Land of A Thousand Fabrics was boarded up and Poly never expected to see the inside again. These days her time is spent designing prom dresses from cheap fabrics and covering the flaws with a glue gun. When her great uncle passes away and leaves her the fabric store, she sees it as a sign to change her life. But when a man connected to her family’s tragedy is found dead in the parking lot behind the store the day after she moves in, her illusions of reopening the glamorous fabric store are shredded. Poly pulls at threads to unravel the truth, but can she keep herself out of the fray? Suede to Rest is the first charming cozy mystery in this series, although all books in the Material Witness series can be read as a standalone. For readers of Jenn McKinlay, Tonya Kappes, London Lovett, and Marty Wingate, this is a fair-play cozy mystery whodunit with strong family ties, a sweet romance, and a fun cast of recurring characters. If you like small-town settings, killer textiles, and crafty killers, then you'll love Diane Vallere's delightful, fabric-themed series. “There’s a new material girl in town…[A] resourceful and gutsy sleuth.”—Krista Davis, New York Times bestselling author of the Domestic Diva Mysteries “Vallere weaves a tapestry of finely knit characters, luxurious fabrics, and…murder.”—Janet Bolin, national bestselling author of the Threadville Mysteries

As a practising Christian priest, Hermann Beckh was profoundly aware that the mystery of substance – its transmutation in the cosmos and the human being – was a mystical fact to be approached with the greatest reverence, requiring at once ever-deepening scholarship and meditation. He viewed chemistry as a worthy but materialistic science devoid of spirit, while the fullness of spiritual-physical nature could be approached by what he preferred to call ‘chymistry’ or ‘alchymy’, thereby taking in millennia of spiritual tradition. In consequence, Beckh’s Alchymy, The Mystery of the Material World is not limited to the conventional workings of Western alchemy, nor to what can be found in the Bible from Genesis to Revelation – although he does unveil hidden riches there. Neither should Beckh be considered only as a learned Professor with impeccable academic qualifications and European-wide recognition. Beckh writes about such topics as ‘Isis’, ‘the Golden Fleece’, traditional fairy-stories and Wagner’s Parsifal in a way that enables the reader to catch glimpses of the Mystery of Substance; to share the writer’s authentic experience of the divine substantia – the living reality – of Christ in the world. Beckh’s Alchymy set an entirely new standard, and went on to become his most popular publication. This is the first time that it has been translated into English, along with updated footnotes, making his ideas and insights accessible to a wide readership. In addition, this edition features translations of Beckh’s ‘The New Jerusalem’, where theology could best be expressed in verse; his exemplary essay on ‘Snow-white’; observations on ‘Allerleirauh’, and a substantial excerpt from Gundhild Kačer-Bock’s biography of Beckh.

Series statement from publisher's website.

An eye-opening adventure deep inside the everyday materials that surround us, from concrete and steel to denim and chocolate, packed with surprising stories and fascinating science.