This book focuses on the practice and pedagogical value of rhetorical reading. Its readings follow an itinerary from poetic texts (such as those by Wordsworth and Keats) through theoretical or philosophical texts (by Descartes and Nietzsche) to narrative

Detailed insight on writings from a Late Antique settlement in Egypt

Learn how the deep history of nature became a dominant paradigm of historical thinking, through a study of landscapes of India. Winner of the BSHS Pickstone Prize by the British Society for the History of Science, Shortlisted for the Pfizer Award for an Outstanding Book in the History of Science by the History of Science Society In the nineteenth century, teams of men began digging the earth like never before. Sometimes this digging—often for sewage, transport, or minerals—revealed human remains. Other times, archaeological excavation of ancient cities unearthed prehistoric fossils, while excavations for irrigation canals revealed buried cities. Concurrently, geologists, ethnologists, archaeologists, and missionaries were also digging into ancient texts and genealogies and delving into the lives and bodies of indigenous populations, their myths, legends, and pasts. One pursuit was intertwined with another in this encounter with the earth and its inhabitants—past, present, and future. In Inscriptions of Nature, Pratik Chakrabarti argues that, in both the real and the metaphorical digging of the earth, the deep history of nature, landscape, and people became indelibly inscribed in the study and imagination of antiquity. The first book to situate deep history as an expression of political, economic, and cultural power, this volume shows that it is complicit in the European and colonial appropriation of global nature, commodities, temporalities, and myths. The book also provides a new interpretation of the relationship between nature and history. Arguing that the deep history of the earth became pervasive within historical imaginations of monuments, communities, and territories in the nineteenth century, Chakrabarti studies these processes in the Indian subcontinent, from the banks of the Yamuna and Ganga rivers to the Himalayas to the deep ravines and forests of central India. He also examines associated themes of Hindu antiquarianism, sacred geographies, and tribal aboriginality. Based on extensive archival research, the book provides insights into state formation, mining of natural resources, and the creation of national topographies. Driven by the geological imagination of India as well as its landscape, people, past, and destiny, Inscriptions of Nature reveals how human evolution, myths, aboriginality, and colonial state formation fundamentally defined Indian antiquity.

The final volume in the series synthesizes the research conducted by the Heidelberg Collaborative Research Center 933 (SFB 933). Systematized into six topic areas (reflecting on writing, layout and text/image, memory and the archive, material transformation, sanctification, and rule and administration), the CRC scholars summarize the knowledge gained from 12 years of interdisciplinary work into 35 theses on a theory of material text cultures.

Writing as Material Practice grapples with the issue of writing as a form of material culture in its ancient and more recent manifestations, and in the contexts of production and consumption. Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day, and ranging in spatial context from the Americas to the Near East, the chapters in this volume bring a variety of perspectives which contribute to both specific and broader questions of writing materialities. The authors also aim to place past graphical systems in their social contexts so they can be understood in relation to the people who created and attributed meaning to writing and associated symbolic modes through a diverse array of individual and wider social practices.

Sonic Writing explores how contemporary music technologies trace their ancestry to previous forms of instruments and media. Studying the domains of instrument design, musical notation, and sound recording under the rubrics of material, symbolic, and signal inscriptions of sound, the book describes how these historical techniques of sonic writing are implemented in new digital music technologies. With a scope ranging from ancient Greek music theory, medieval notation, early modern scientific instrumentation to contemporary multimedia and artificial intelligence, it provides a theoretical grounding for further study and development of technologies of musical expression. The book draws a bespoke affinity and similarity between current musical practices and those from before the advent of notation and recording, stressing the importance of instrument design in the study of new music and projecting how new computational technologies, including machine learning, will transform our musical practices. Sonic Writing offers a richly illustrated study of contemporary musical media, where interactivity, artificial intelligence, and networked devices disclose new possibilities for musical expression. Thor Magnusson provides a conceptual framework for the creation and analysis of this new musical work, arguing that contemporary sonic writing becomes a new form of material and symbolic design--one that is bound to be ephemeral, a system of fluid objects where technologies are continually redesigned in a fast cycle of innovation.

Paleography, which often overlaps with archaeology, deciphers ancient inscriptions and modes of writing to reveal the knowledge and workings of earlier societies. In this now-classic paleographic study of China, Tsuen-Hsuin Tsien traces the development of Chinese writing from the earliest inscriptions to the advent of printing, with specific attention to the tools and media used. This edition includes material that treats the many major documents and ancient Chinese artifacts uncovered over the forty years since the book's first publication, as well as an afterword by Edward L. Shaughnessy. Written on Bamboo and Silk has long been considered a landmark in its field. Critical in this regard is the excavation of numerous sites throughout China, where hundreds of thousands of documents written on bamboo and silk--as well as other media--were found, including some of the earliest copies of historical, medical, astronomical, military, and religious texts that are now essential to the study of early Chinese literature, history, and philosophy. Discoveries such as these have made the amount of material evidence on the origins and evolution of communication throughout Chinese history exceedingly broad and rich, and yet Tsien succeeds in tackling it all and building on the earlier classic work that changed the course of study and understanding of Chinese paleography.