A first title in the ambitious new series that identifies and examines the innovative materials that are transforming art, design, and technology practice Materials technology is the single most important agent of change in our entire designed landscape, from the buildings in which we live and work to the clothes we wear. This volume on architecture features carefully selected buildings that showcase the innovative use of a particular material. The book focuses on specific categories of materials and features an extensive range of projects, from the Netherlands Institute for Sound and Vision to the Ordos Art and City Museum in Mongolia. The materials employed in each project are cross referenced to an extensive illustrated directory featured in the book, and the texts are authoritative yet accessible. Clearly structured and illustrated with carefully selected images throughout, this book will connect material to reader and will inspire both students and professionals to pursue the optimal material for each specific application.

Explores new and innovative materials designed to change the way consumers experience product packaging The third in a series of ten volumes exploring the constantly evolving frontiers of design, Material Innovation: Packaging Design presents products whose packaging reaches new heights of innovation. The range is diverse and international, from “plantable” packaging that can be buried in dirt after consumer use, later to emerge as a plant to alcohol bottles with labels that react to music, and bespoke, collectible jars of Marmite XO. Material Innovation: Packaging Design explores not only the latest advances in consumer product packaging but also how such advances could fail or flourish within the increasingly digital landscape of the twenty-first century. Case studies featured throughout the book profile the innovative use of materials by a particular practitioner, practice, or company, offering specific and elegant solutions. Clearly structured and illustrated throughout, this book will connect reader (whether student or professional) to material.

Through detailed case studies of the most important advanced material creations of the latter 20th and early 21st century, the author explores the role of the field of advanced materials in the technological and economic activity today, with implications to the innovation process in general. A comprehensive study that encompasses the three major categories of advanced material technologies, i.e., Structural Materials (metals and polymers), Functional Materials (transistor, microchip and semiconductor laser) and Hybrid and New Forms of Matter (liquid crystals and nanomaterials). Extensive use of primary sources, including unpublished interviews with the scientists, engineers, and entrepreneurs on the front lines of advanced materials creation Original approach to case study narrative, emphasizing interaction between the advanced material process, perceived risk and directing and accelerating breakthrough technology

How does design and innovation shape people’s lives in the Pacific? Focusing on plant materials from the region, How Materials Matter reveals ways in which a variety of people – from craftswomen and scientists to architects and politicians – work with materials to transform worlds. Recognizing the fragile and ephemeral nature of plant fibres, this work delves into how the biophysical properties of certain leaves and their aesthetic appearance are utilized to communicate information and manage different forms of relations. It breaks new ground by situating plant materials at the centre of innovation in a region.

From Materials to Structures: Advancement through Innovation is a collection of peer-reviewed papers presented at the 22nd Australasian Conference on the Mechanics of Structures and Materials (ACMSM22) held in Sydney Australia, from 11-14 December 2012 by academics, researchers and practising engineers mainly from Australasia and the Asia-Pacific r

This text offers definitive evidence of the way materials have revolutionised the world of applied arts, as well as providing a guide to the very latest material inventions.

Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History. Contributors: Nadia Baadj, Piers Baker-Bates, Elena Calvillo, Ana Gonsalez Mozo, Anna Kim, Helen Langdon, Johanna Beate Lohff, Judith Mann, Christopher Nygren, Suzanne Wegmann, and Giulia Martina Weston.