Materia Magica approaches magic as a material endeavor, in which spoken spells, ritual actions, and physical objects all played vital roles in the performance of a rite. Through case studies drawing on objects excavated or discovered in the late nineteenth and early twentieth century at three Mediterranean sites, Andrew T. Wilburn identifies previously unknown forms of magic. He discovers evidence of the practice of magic in objects of ancient daily life, suggesting that individuals frequently turned to magic, particularly in times of crises. Studying the remains of spells enacted by practitioners, Wilburn examines the material remains of magical practice by identifying and placing them within their archaeological contexts. His method of connecting an analysis of the texts and inscriptions found on artifacts of magic with a close consideration of the physical form of these objects illuminates an exciting path toward new discoveries in the field.

A description of many of the materials used in the practice of practical magic, along with some formulas for specific products and warnings of some hazards of long used products. Designed for reference by the operative magician.

Ancient Christians and their non-Christian contemporaries lived in a world of 'magic.' Sometimes, they used curses as ritual objects to seek justice from gods and other beings; sometimes, they argued against them. Curses, and the writings of those who polemicized against curses, reveal the complexity of ancient Mediterranean religions, in which materiality, poetics, song, incantation, and glossolalia were used as technologies of power. Laura Nasrallah's study reframes the field of religion, the study of the Roman imperial period, and the investigation of the New Testament and ancient Christianity. Her approach eschews disciplinary aesthetics that privilege the literature and archaeological remains of elites, and that defines curses as magical materials, separable from religious ritual. Moreover, Nasrallah's imaginative use of art and 'research creations' of contemporary Black painters, sculptors, and poets offer insights for understanding how ancient ritual materials embedded into art work intervene into the present moment and critique injustice.

This is the first book of its kind, presenting accurate botanical information about roots and herbs employed in conjure, with sample spells that will show you how to make and use your own mojo bags, spiritual baths, and incenses. 500 herbs, roots, minerals, and rare zoological curios, 750 traditional spells, tricks, and magical recipes, 50 black and white illustrations

This volume, edited by Tzvi Zbusch and Karel van der Toorn, contains the papers delivered at the first international conference on Mesopotamian magic held under the auspices of the Netherlands Institute for Advanced Studies (NIAS) in June 1995. It is the first collective volume dedicated to the study of this topic. It aims at serving as a bench-mark and provides analytic and innovative but also sythetic and programmatic essays. Magical texts, forms, and traditions from the Mesopotamian cultural worlds of the third millennium BCE through the first millennium CE, in the Sumerian, Akkadian and Aramaic languages as well as in art, are examined.

A collection of papers with new insights on ancient religion, read at a colloquium in honour of Professor H.S. Versnel ("Inconsistencies in Greek and Roman Religion"). The contributions, presented by nine leading scholars in the field, cover many areas of the religious experience of the Greeks and Romans: myth and ritual (W. Burkert), the gods (F. Zeitlin), cult, festivals, sacrifice. Several papers consider methodological problems and the progress of scholarship; they highlight the contribution of H.S. Versnel to the field. The papers are based on a wide range of sources: pagan and Christian, literary and epigraphical and iconographical. The collection will fascinate all scholars interested in ancient religion, whether they study malign magic, the Imperial cult or general theory.