This selection of thirty-six paintings, sculptures, drawings, and prints from the collection of Louise Reinhardt Smith attests to her astute eye for important works of art. Each full-color illustration is accompanied by a commentary that eloquently illuninates the essential context of the art and provides new insights into the collection as a group. These discussions are supplemented with full catalogue notes, references, and an exhibition history.

This selection of thirty-six paintings, sculptures, drawings, and prints from the collection of Louise Reinhardt Smith attests to her astute eye for important works of art. Each full-color illustration is accompanied by a commentary that eloquently illuninates the essential context of the art and provides new insights into the collection as a group. These discussions are supplemented with full catalogue notes, references, and an exhibition history.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.