In 1972, in an attempt to elevate the stature of the "crime novel," influential crime writer and critic Julian Symons cast numerous Golden Age detective fiction writers into literary perdition as "Humdrums," condemning their focus on puzzle plots over stylish writing and explorations of character, setting and theme. This volume explores the works of three prominent British "Humdrums"--Cecil John Charles Street, Freeman Wills Crofts, and Alfred Walter Stewart--revealing their work to be more complex, as puzzles and as social documents, than Symons allowed. By championing the intrinsic merit of these mystery writers, the study demonstrates that reintegrating the "Humdrums" into mystery genre studies provides a fuller understanding of the Golden Age of detective fiction and its aftermath.

In 1972, in an attempt to elevate the stature of the "crime novel," influential crime writer and critic Julian Symons cast numerous Golden Age detective fiction writers into literary perdition as "Humdrums," condemning their focus on puzzle plots over stylish writing and explorations of character, setting and theme. This volume explores the works of three prominent British "Humdrums"--Cecil John Charles Street, Freeman Wills Crofts, and Alfred Walter Stewart--revealing their work to be more complex, as puzzles and as social documents, than Symons allowed. By championing the intrinsic merit of these mystery writers, the study demonstrates that reintegrating the "Humdrums" into mystery genre studies provides a fuller understanding of the Golden Age of detective fiction and its aftermath.

Mystery crime fiction written in the Golden Age of Murder "Not only is this a first-rate puzzler, but Crofts' outrage over the financial firm's betrayal of the public trust should resonate with today's readers." —Booklist STARRED review The Chichester is making a routine journey across the English Channel on a pleasant afternoon in June, when the steamer's crew notice something strange. A yacht, bobbing about in the water ahead of them, appears to have been abandoned, and there is a dark red stain on the deck... Two bodies later, with no sign of a gun, there certainly is a mystery in the channel. Inspector French soon discovers a world of high-powered banking, luxury yachts and international double-dealing. British and French coastal towns, harbours—and of course the Channel itself—provide an alluring backdrop to this nautical adventure, along with a cast of shady characters.

Mystery crime fiction written in the Golden Age of Murder 'As pretty a piece of work as Inspector French has done... On the level of Mr Crofts' very best; which is saying something.' —Daily Telegraph Dr James Earle and his wife live in comfortable seclusion near the Hog's Back, a ridge in the North Downs in the beautiful Surrey countryside. When Dr Earle disappears from his cottage, Inspector French is called in to investigate. At first he suspects a simple domestic intrigue—and begins to uncover a web of romantic entanglements beneath the couple's peaceful rural life. The case soon takes a more complex turn. Other people vanish mysteriously, one of Dr Earle's house guests among them. What is the explanation for the disappearances? If the missing people have been murdered, what can be the motive? This fiendishly complicated puzzle is one that only Inspector French can solve. Freeman Wills Crofts was a master of the intricately and ingeniously plotted detective novel, and The Hog's Back Mystery shows him at the height of his powers. This new edition of a classic mystery is introduced by the crime fiction expert Martin Edwards.

Trying to leave painful memories behind her, Chloe Ellefson is making a fresh start. She's the new collections curator at Old World Wisconsin, an outdoor ethnic museum showcasing 1800s settlement life. On her first day, Chloe meets with an elderly woman who begs her to find a priceless nineteenth-century Norwegian ale bowl that had been donated to the museum years ago. But before Chloe can find the heirloom and return it to her, the woman dies in a suspicious car crash. Digging up the history and whereabouts of the rare artifact quickly turns dangerous. Chloe discovers that someone is desperately trying to cover up all traces of the bowl's existence-by any means necessary. Assisting Chloe is police officer Roelke McKenna, whose own haunting past compels him to protect her. To catch the covetous killer, Chloe must solve a decades-old puzzle . . . before she becomes a part of history herself.

The Riddle of the Third Mile is the sixth novel in Colin Dexter's Oxford-set detective series. As portrayed by John Thaw in ITV's Inspector Morse. The thought suddenly occurred to Morse that this would be a marvellous time to murder a few of the doddery old bachelor dons. No wives to worry about their whereabouts; no landladies to whine about the unpaid rents. In fact, nobody would miss most of them at all. . . Dr Browne-Smith passed through the porter's lodge at approximately 8.15 a.m. on the morning of Friday, 11th July. And nobody has heard from him since. By the 16th of July the Master of Lonsdale is concerned, but not yet worried. Plenty of time to disappear, think Chief Inspector Morse. And plenty of time, too, for someone to commit murder . . . As bodies begin to pile, Morse sets out on a journey through intricate and complicated history, from World War Two Egypt to present-day London, in search of answers. The Riddle of the Third Mile is followed by the seventh Inspector Morse book, The Secret of Annexe 3.

Before the 1969 Stonewall Riots, LGBTQ life was dominated by the negative image of "the closet"--the metaphorical space where that which was deemed "queer" was hidden from a hostile public view. Literary studies of queer themes and characters in crime fiction have tended to focus on the more positive and explicit representations since the riots, while pre-Stonewall works are thought to reference queer only negatively or obliquely. This collection of new essays questions that view with an investigation of queer aspects in crime fiction published over eight decades, from the corseted Victorian era to the unbuttoned 1960s.