Superb step-by-step guide enables even beginners to create beautiful lace according to age-old technique. Edgings, doilies, squares, petals, picots, more. Projects graded, simple to advanced. 249 illustrations. Bibliography.

Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.

Torchon lacemaking is a textile art steeped in tradition and the skills required are often perceived to be beyond the reach of ordinary mortals. In this practical book, Jan Tregidgo describes those skills through a step-by-step guide and makes them accessible to all. She explains traditional techniques through a series of specially designed samplers, which can be worked in order by the beginner or in any order they choose by the more experienced. Although colour is not traditional in bobbin lace, it has been used here to great effect so the path of each thread can be clearly followed through the sampler. The book covers essential equipment and materials, described in detail; traditional techniques are fully explained through a sequence of specially designed samplers; instructions for a super-beaded sampler; advice on adapting and designing your own patterns; guide to joining and mounting lace; helpful troubleshooting hints; and information on suppliers and museums with lace collections. This is an indispensable guide for all lacemakers, textile artists and designers, and is superbly illustrated with over 700 colour illustrations including step-by-step photographs and simple diagrams to ensure that each stage is understood.

The English explorer and author Sir Richard Francis Burton (1821-90) began his long and adventurous career in India, where he arrived in 1842 to join the 18th regiment of Bombay infantry as a young commissioned officer. In 1844 Burton's regiment was posted to Sind, the province located in present-day southeastern Pakistan, at that time only recently annexed by the British. Burton lived in Sind for a number of years and published three early books based on his experiences and observations: Scinde, or, The Unhappy Valley (two volumes, 1851), Sindh, and the Races that Inhabit the Valley of the Indus (1851), and Falconry in the Valley of the Indus (1852). The "unhappy valley" of the title of his first book refers to the valley of the Indus, which, along with the Indus River delta, largely defines the geography of Sind. More than two decades later, in 1875-76, Burton and his wife Isabel made a return visit to the province. Sind Revisited, published in London in 1877, is a result of this later journey. The book contains Burton's observations on the cities of Karachi and Hyderabad; the state of the Anglo-Indian army; relations among Muslims and Hindus and, in particular, the relentless pressure on the Hindus to convert to Islam; Sindi men and women; the Indus Valley Railway; and many other topics. Throughout, Burton uses the literary device of a fictitious traveling companion, "Mr. John Bull," to whom he addresses comments and asides. He also includes translations of poems and summaries of colorful local tales and legends, for example, that of "the seven headless prophets." In concluding remarks, Burton judges British rule to have had a positive influence, by bringing improvements in health and access to education for the Sindi people. The book is indexed but has no maps or illustrations.