This is a study in oral poetic composition. It examines how oral poets compose their recitations. Specifically, it is a study of the recitations of 17 separate master poets from the Island of Rote recorded over a period of 50 years. Each of these poets offers his version of what is culturally considered to be the ‘same’ ritual chant. These compositions are examined in detail and their oral formulae are carefully compared to one another. Professor James J. Fox is an anthropologist who carried out his doctoral field research on the Island of Rote in eastern Indonesia in 1965–66. In 1965, he began recording the oral traditions of the island and developed a close association with numerous oral poets on the island. After many subsequent visits, in 2006, he began a nine-year project that brought groups of oral poets to Bali for week-long recording sessions. Recitations gathered over a period of 50 years are the basis for this book.

This collection of eighteen papers explores issues in the study of semantic parallelism — a world-wide tradition in the composition of oral poetry. It is concerned with both comparative issues and the intensive study of a single living poetic tradition of composition in strict canonical parallelism. The papers in the volume were written at intervals from 1971 to 2014 — a period of over forty years. They are a summation of a career-long research effort that continues to take shape. The concluding essay reflects on possible directions for future research.

Versification describes the marriage of language and poetic form through which poetry is produced. Formal principles, such as metre, alliteration, rhyme, or parallelism, take precedence over syntax and prosody, resulting in expressions becoming organised as verse rather than prose. The aesthetic appeal of poetry is often linked to the potential for this process to seem mysterious or almost magical, not to mention the interplay of particular expressions with forms and expectations. The dynamics of versification thus draw a general interest for everyone, from enthusiasts of poetry or forms of verbal art to researchers of folklore, ethnomusicology, linguistics, literature, philology, and more. The authors of the works in the present volume explore versification from a variety of angles and in diverse cultural milieus. The focus is on metrics in practice, meaning that the authors concentrate not so much on the analysis of the metrical systems per se as on the ways that metres are used and varied in performance by individual poets and in relationship to language.

This comparative dictionary provides a bottom-up reconstruction of the Rote‑Meto languages of western Timor. Rote-Meto is one low-level Austronesian subgroup of eastern Indonesia/Timor-Leste. It contains 1,174 reconstructions to Proto-Rote-Meto (or a lower node) with supporting evidence from the modern Rote-Meto languages. These reconstructions are accompanied by information on how they relate to forms in other languages including Proto‑Malayo‑Polynesian etyma (where known) and/or out-comparisons to putative cognates in other languages of the region. The dictionary also contains two finder-lists: English to Rote-Meto, and Austronesian reconstructions with Rote-Meto reflexes. The dictionary is preceded by three introductory chapters. The first chapter contains a guide to using the dictionary as well as discussion of the data sources. The second chapter provides a short synchronic overview of the Rote-Meto langauges. The third chapter discusses the historical background of Rote-Meto. This includes sound correspondences, the internal subgrouping of the Rote-Meto family, and the position of Rote-Meto within Malayo-Polynesian more broadly. Searchable electronic versions of the comparative dictionary are provided in two formats at http://hdl.handle.net/1885/251618. The first electronic version is a Lexique Pro export of the dictionary. The Lexique Pro file contains the same data and information in the book version of the dictionary, but does not contain the introductory chapters. See the "About Rote-Meto" tab of the Lexique Pro file for more information on this version of the dictionary. The second electronic version is a text file. It is formatted as a tab separated file and is intended to be read in spreadsheet format. This text file does not contain all the data and information in other versions of the Rote-Meto Comparative Dictionary and should be used in conjunction with these other versions. See the associated readme for more information on what data is included and excluded from that text file.

This is the eighth volume in the Comparative Austronesian series. The papers in this volume examine metaphors of path and journey among specific Austronesian societies located on islands from Taiwan to Timor and from Madagascar to Micronesia. These diverse local expressions define common cultural conceptions found throughout the Austronesian-speaking world.

Insular Southeast Asia is made up of six nations, which are characterised by an extraordinary diversity of cultures and languages. Consequently, oral tradition in the region is similarly heterogeneous and may be performed in poetry, storytelling, singing or a combination of all three. Its study may be perceived from various academic angles. The present edition contains eleven contributions which discuss oral tradition from different perspectives, covering ecocriticism, poetics, semiotics, linguistics, folkloristics and politics. This volume explores expressions of oral folklore from different corners of Insular Southeast Asia and exemplifies diverse and alternative approaches to oral poetry and storytelling.

Written texts of the Iliad and the Odyssey achieved an unprecedented degree of standardization after 150 BCE, but what about Homeric texts prior to the emergence of standardized written texts? Orality, Textuality, and the Homeric Epics sheds light on that earlier history by drawing on scholarship from outside the discipline of classical studies to query from three different angles what it means to speak of Homeric poetry together with the word "text". Part I utilizes work in linguistic anthropology on oral texts and oral intertextuality to illuminate both the verbal and oratorical landscapes our Homeric poets fashion in their epics and what the poets were striving to do when they performed. Looking to folkloristics, part II examines modern instances of the textualization of an oral traditional work in order to reconstruct the creation of written versions of the Homeric poems through a process that began with a poet dictating to a scribe. Combining research into scribal activity in other cultures, especially in the fields of religious studies and medieval studies, with research into performance in the field of linguistic anthropology, part III investigates some of the earliest extant texts of the Homeric epics, the so-called wild papyri. By looking at oral texts, dictated texts, and wild texts, this volume traces the intricate history of Homeric texts from the Archaic to the Hellenistic period, long before the emergence of standardized written texts, in a comparative and interdisciplinary study that will benefit researchers in a number of disciplines across the humanities.