One of the finest collections of master drawings in America is at the Worcester Art Museum in Massachusetts. To celebrate the museum's centennial, the collection's greatest masterpieces of draftsmanship are being exhibited in Worcester, followed by a tour. These one hundred works, in a broad variety of media, are reproduced in full color, each accompanied by a comprehensive essay. They range from a medieval illuminated choir book page; through old masters Rubens, Guercino, Ribera, the Tiepolos, Boucher, Copley, Prud'hon, David, and Rowlandson; nineteenth-century masters Ingres, Millet, Degas, Gauguin, van Gogh, and Homer; modernist masters Kirchner, Modigliani, Sargent, Grosz, Rivera, Marin, Noguchi, and Giacometti; to recent works by David Hockney and Sam Francis - seven centuries in all, the entire spectrum of Western draftsmanship.

This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.

This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.