In seven representative episodes of black masculine literary and cultural history—from the founding of the first African American Masonic lodge in 1775 to the 1990s choreographies of modern dance genius Bill T. Jones—Constructing the Black Masculine maps black men’s historical efforts to negotiate the frequently discordant relationship between blackness and maleness in the cultural logic of American identity. Maurice O. Wallace draws on an impressive variety of material to investigate the survivalist strategies employed by black men who have had to endure the disjunction between race and masculinity in American culture. Highlighting their chronic objectification under the gaze of white eyes, Wallace argues that black men suffer a social and representational crisis in being at once seen and unseen, fetish and phantasm, spectacle and shadow in the American racial imagination. Invisible and disregarded on one hand, black men, perceived as potential threats to society, simultaneously face the reality of hypervisibility and perpetual surveillance. Paying significant attention to the sociotechnologies of vision and image production over two centuries, Wallace shows how African American men—as soldiers, Freemasons, and romantic heroes—have sought both to realize the ideal image of the American masculine subject and to deconstruct it in expressive mediums like modern dance, photography, and theatre. Throughout, he draws on the experiences and theories of such notable figures as Frederick Douglass, W. E. B. Du Bois, Booker T. Washington, and James Baldwin.

Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.

Winner of the 2010 Bakeless Prize for Fiction, a muscular debut that reconfigures the American West The American West has long been a place where myth and legend have flourished. Where men stood tall and lived rough. But that West is no more. In its place Shann Ray finds washedup basketball players, businessmen hiding addictions, and women fighting the inexplicable violence that wells up in these men. A son struggles to accept his father's apologies after surviving a childhood of beatings. Two men seek empty basketball hoops on a snowy night, hoping to relive past glory. A bull rider skips town and rides herd on an unruly mob of passengers as he searches for a thief on a train threading through Montana's Rocky Mountains. In these stories, Ray grapples with the terrible hurt we inflict on those we love, and finds that reconciliation, if far off, is at least possible. The debut of a writer who is out to redefine the contours of the American West, American Masculine is a deeply felt and fiercely written ode to the country we left behind.

Language is about making connections. It's also about imagining what an airplane would look like with a penis. With over 50 illustrated vocabulary words, this handy tome aims to burn into your visual memory feminine and masculine articles by combining biological gender with grammatical gender. Whether you are a fair-weather language-learner or a multilingual maven, Feminine/Masculine Books: French 1 will forever change the way you look at language. Product Details: 70 pages, 50 French vocabulary words, published February 2013.

Every Crisis Has an Answer The public spotlight showcasing how men should not behave has revealed the stark truth that men are struggling to find their place in a changing world, but few role models are lighting the way forward. Drawing on his 20-year career as a sexuality and leadership coach for men, Destin Gerek brings the full tour de force of his extraordinary lived experience as the Erotic Rockstar and acclaimed professional expertise to create inspiring new models of possibility for men. In The Evolved Masculine, Destin spearheads this new paradigm through compelling (and at times explicit) personal stories and practical proven techniques, which show men how to have greater confidence, more and better sex, and hotter, more satisfying relationships with women. Evolution has taught us that it is neither the strongest nor the most intelligent that survive, it is those who are most adaptable to change. Men are being called to rise, to redefine their roles. And, amid this "crisis of masculinity," the men committed to walking the Evolved Masculine path are leading the way.

In this book, Andreas G. Philaretou uses autobiographical reflection to investigate the negative impact of traditional masculine gender socialization on men's lives. Through an analysis that uses a feminist postmodern ideology of gender deconstruction and reconstruction, Philaretou sheds new light on the understudied area of male hurt, which is often experienced within the context of interpersonal relationships in dating, marital, and familial settings, and tends to be manifested in the form of male sexual anxiety, sexual addiction, and relational abuse.

Whereas many of the men of Reagan's '80s seemed stereotypically hypermasculine, a host of '90s images suggest a new phase of more sensitive manhood. In the Clinton era, both academic and popular writers suggested that a «crisis of masculinity» had taken root - one that had men questioning traditional male ideas and seeking new identities. This book explores the conflicted ways in which this seemingly new climate of masculinity was negotiated. From Bill Clinton to The Promise Keepers and Titanic to Friends, a host of '90s heroes put this rhetoric of crisis to work to win elections, audience members, and ratings.